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The Achilles Painter
John H. Oakley,
The College of William and Mary in Virginia
11. Black-Figure Vases
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The Achilles Painter also worked in a third technique, black-figure.
Several prize
Panathenaic amphorai,
all from his later career, have been attributed to him. The
Athena
on the front of them seems to derive from those
on the Berlin Painter's Panathenaics, particularly the Gorgoneion shield
device which is a hallmark of this workshop. The athletic scenes on the
reverses show variety, and include both long-distance runners, sprinters, and
discus-throwers. The runners, in particular, owe something to the Berlin
Painter's.[30]On several vases new iconographical
schemata are introduced by the Achilles Painter. For example, he is the first
to combine a scene of the proclamation of the victor with the event,
[31]as illustrated by a
Panathenaic amphora
in Bologna.[32]
[30]See most recently, R. Lindner,
"Waffenläufer auf Panathenäischen Preisamphoren," Kotinos.
Festschrift für Erika Simon (Mainz 1992) 146-50.
[31]P. Valavanis, "La proclamation des vainqueurs
aux Panathénées," BCH 114 (1990) 346-50.
[32]Bologna, Museo Civico 18039;
ABV, 409, 1; Para., 177;
Beazley Addenda 2, 106.
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