Browsing named entities in Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2. You can also browse the collection for July, 1869 AD or search for July, 1869 AD in all documents.

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Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 20: Italy.—May to September, 1839.—Age, 28. (search)
horwaldsen at Rome. Among his chief works are the Orpheus (1840), in the Boston Athenaeum; the colossal equestrian statue of Washington at Richmond; the colossal statue of Liberty on the dome of the National Capitol; and the designs on the bronze doors of the Capitol, illustrating scenes in the history of the country. Among his statues are the Beethoven in the Music Hall, Boston, and the James Otis in the chapel at Mount Auburn.—Tuckerman's Book of Artists, pp. 306-320; Atlantic Monthly, July, 1869,—Thomas Crawford, A Eulogy, by George S. Hillard, pp. 40-54. Sumner, the day he arrived in Paris, in March, 1857, sought Crawford's lodgings, which he found only after a considerable effort. A fatal disease was upon him. Sumner wrote: The whole visit moved me much. This beautiful genius seems to be drawing to its close. Sumner attended his funeral in New York, on December 5, and was one of the pall-bearers with George W. Greene, H. T. Tuckerman, and Dr. Lieber. of New York; he commenced
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 25: service for Crawford.—The Somers Mutiny.—The nation's duty as to slavery.—1843.—Age, 32. (search)
ount of twenty-five hundred dollars for a marble copy of the Orpheus, then only in plaster, to be placed in the Boston Athenaeum. He called attention to its merits in an article which, accompanied by a steel engraving of the statue, he contributed to the Democratic Review. May, 1843; Vol. XII. pp. 451-455. The article was republished in the Boston Advertiser, May 8, 1844. Sumner's early interest in Crawford is referred to in Mr. Hillard's notice of the artist in the Atlantic Monthly, July, 1869, Vol. XXIV. pp. 40-54. The article related the legend which was the artist's theme, described the work itself, and cited the opinions of connoisseurs. The editor of the Review, after stating in a note to the article that the statue had been purchased for the Athenaeum, said: It may not be improper to mention here, to the credit of Mr. Charles Sumner (who is also the author of the above paper), that it is mainly to his exertions that his native city will owe the honor and advantage of poss
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 20: Italy.—May to September, 1839.—Age, 28. (search)
horwaldsen at Rome. Among his chief works are the Orpheus (1840), in the Boston Athenaeum; the colossal equestrian statue of Washington at Richmond; the colossal statue of Liberty on the dome of the National Capitol; and the designs on the bronze doors of the Capitol, illustrating scenes in the history of the country. Among his statues are the Beethoven in the Music Hall, Boston, and the James Otis in the chapel at Mount Auburn.—Tuckerman's Book of Artists, pp. 306-320; Atlantic Monthly, July, 1869,—Thomas Crawford, A Eulogy, by George S. Hillard, pp. 40-54. Sumner, the day he arrived in Paris, in March, 1857, sought Crawford's lodgings, which he found only after a considerable effort. A fatal disease was upon him. Sumner wrote: The whole visit moved me much. This beautiful genius seems to be drawing to its close. Sumner attended his funeral in New York, on December 5, and was one of the pall-bearers with George W. Greene, H. T. Tuckerman, and Dr. Lieber. of New York; he commenced
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 25: service for Crawford.—The Somers Mutiny.—The nation's duty as to slavery.—1843.—Age, 32. (search)
ount of twenty-five hundred dollars for a marble copy of the Orpheus, then only in plaster, to be placed in the Boston Athenaeum. He called attention to its merits in an article which, accompanied by a steel engraving of the statue, he contributed to the Democratic Review. May, 1843; Vol. XII. pp. 451-455. The article was republished in the Boston Advertiser, May 8, 1844. Sumner's early interest in Crawford is referred to in Mr. Hillard's notice of the artist in the Atlantic Monthly, July, 1869, Vol. XXIV. pp. 40-54. The article related the legend which was the artist's theme, described the work itself, and cited the opinions of connoisseurs. The editor of the Review, after stating in a note to the article that the statue had been purchased for the Athenaeum, said: It may not be improper to mention here, to the credit of Mr. Charles Sumner (who is also the author of the above paper), that it is mainly to his exertions that his native city will owe the honor and advantage of poss
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 20: Italy.—May to September, 1839.—Age, 28. (search)
horwaldsen at Rome. Among his chief works are the Orpheus (1840), in the Boston Athenaeum; the colossal equestrian statue of Washington at Richmond; the colossal statue of Liberty on the dome of the National Capitol; and the designs on the bronze doors of the Capitol, illustrating scenes in the history of the country. Among his statues are the Beethoven in the Music Hall, Boston, and the James Otis in the chapel at Mount Auburn.—Tuckerman's Book of Artists, pp. 306-320; Atlantic Monthly, July, 1869,—Thomas Crawford, A Eulogy, by George S. Hillard, pp. 40-54. Sumner, the day he arrived in Paris, in March, 1857, sought Crawford's lodgings, which he found only after a considerable effort. A fatal disease was upon him. Sumner wrote: The whole visit moved me much. This beautiful genius seems to be drawing to its close. Sumner attended his funeral in New York, on December 5, and was one of the pall-bearers with George W. Greene, H. T. Tuckerman, and Dr. Lieber. of New York; he commenced
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 25: service for Crawford.—The Somers Mutiny.—The nation's duty as to slavery.—1843.—Age, 32. (search)
ount of twenty-five hundred dollars for a marble copy of the Orpheus, then only in plaster, to be placed in the Boston Athenaeum. He called attention to its merits in an article which, accompanied by a steel engraving of the statue, he contributed to the Democratic Review. May, 1843; Vol. XII. pp. 451-455. The article was republished in the Boston Advertiser, May 8, 1844. Sumner's early interest in Crawford is referred to in Mr. Hillard's notice of the artist in the Atlantic Monthly, July, 1869, Vol. XXIV. pp. 40-54. The article related the legend which was the artist's theme, described the work itself, and cited the opinions of connoisseurs. The editor of the Review, after stating in a note to the article that the statue had been purchased for the Athenaeum, said: It may not be improper to mention here, to the credit of Mr. Charles Sumner (who is also the author of the above paper), that it is mainly to his exertions that his native city will owe the honor and advantage of poss
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 20: Italy.—May to September, 1839.—Age, 28. (search)
horwaldsen at Rome. Among his chief works are the Orpheus (1840), in the Boston Athenaeum; the colossal equestrian statue of Washington at Richmond; the colossal statue of Liberty on the dome of the National Capitol; and the designs on the bronze doors of the Capitol, illustrating scenes in the history of the country. Among his statues are the Beethoven in the Music Hall, Boston, and the James Otis in the chapel at Mount Auburn.—Tuckerman's Book of Artists, pp. 306-320; Atlantic Monthly, July, 1869,—Thomas Crawford, A Eulogy, by George S. Hillard, pp. 40-54. Sumner, the day he arrived in Paris, in March, 1857, sought Crawford's lodgings, which he found only after a considerable effort. A fatal disease was upon him. Sumner wrote: The whole visit moved me much. This beautiful genius seems to be drawing to its close. Sumner attended his funeral in New York, on December 5, and was one of the pall-bearers with George W. Greene, H. T. Tuckerman, and Dr. Lieber. of New York; he commenced
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 25: service for Crawford.—The Somers Mutiny.—The nation's duty as to slavery.—1843.—Age, 32. (search)
ount of twenty-five hundred dollars for a marble copy of the Orpheus, then only in plaster, to be placed in the Boston Athenaeum. He called attention to its merits in an article which, accompanied by a steel engraving of the statue, he contributed to the Democratic Review. May, 1843; Vol. XII. pp. 451-455. The article was republished in the Boston Advertiser, May 8, 1844. Sumner's early interest in Crawford is referred to in Mr. Hillard's notice of the artist in the Atlantic Monthly, July, 1869, Vol. XXIV. pp. 40-54. The article related the legend which was the artist's theme, described the work itself, and cited the opinions of connoisseurs. The editor of the Review, after stating in a note to the article that the statue had been purchased for the Athenaeum, said: It may not be improper to mention here, to the credit of Mr. Charles Sumner (who is also the author of the above paper), that it is mainly to his exertions that his native city will owe the honor and advantage of poss