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Document Max. Freq Min. Freq
Harper's Encyclopedia of United States History (ed. Benson Lossing) 225 225 Browse Search
Lucius R. Paige, History of Cambridge, Massachusetts, 1630-1877, with a genealogical register 54 54 Browse Search
Brigadier-General Ellison Capers, Confederate Military History, a library of Confederate States Military History: Volume 5, South Carolina (ed. Clement Anselm Evans) 29 29 Browse Search
Knight's Mechanical Encyclopedia (ed. Knight) 28 28 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 25 25 Browse Search
The Cambridge of eighteen hundred and ninety-six: a picture of the city and its industries fifty years after its incorporation (ed. Arthur Gilman) 11 11 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 10 10 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 10: The Armies and the Leaders. (ed. Francis Trevelyan Miller) 9 9 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 9 9 Browse Search
Medford Historical Society Papers, Volume 23. 7 7 Browse Search
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Browsing named entities in Medford Historical Society Papers, Volume 16.. You can also browse the collection for 1875 AD or search for 1875 AD in all documents.

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Medford Historical Society Papers, Volume 16., Distinguished guests and residents of Medford. (search)
stool on the sidewalk in front of his house, palette and brush in hand, with an umbrella over his head, busily engaged in painting. Possibly he was taking the colors and tints from the sky that have given the glow to so many of his pictures, to be used at a later time, for though he lived abroad many years he returned to America in 1860, and from the following item in the Art journal, May, 1875, we may infer that Medford was placed under contribution for art's sake: Brown's Sunrise, Genoa [1875], is one of those gorgeous, idealized, hazy Italian scenes, for which this artist is so much noted, in the vein of Turner. Is it not something to have had with us an artist whose pictures are to be seen in the Boston Art Club and Boston Athenaeum, and were found in the homes of Governor Claflin, Governor Fairbanks of Vermont, Henry Ward Beecher and Edward VII of England, who as Prince of Wales purchased during his visit to this country Brown's Crown of New England? Rev. John Pierpont, w