Browsing named entities in Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Apollo or search for Apollo in all documents.

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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 9: the beginnings of verse, 1610-1808 (search)
thousand lines of verse in what must have been, to her, peculiarly uncongenial surroundings. Her brother-in-law, the Rev. John Woodbridge, when on a visit to London in 1650, published without her knowledge her poems under the title of The tenth Muse, lately sprung up in America, and a second edition followed in Boston in 1678. That her poems were read and admired is attested by such poetic tributes as that of Nathaniel Ward, who affirms that she was a right Du Bartas girle, and represents Apollo as unable to decide whether Du Bartas or the New England Muse was the more excellent poet. But Anne Bradstreet was not a poet; she was a winsome personality in an unlovely age. That she should have written verse at all was phenomenal, but that it should have been poor verse was inevitable. Her Exact epitome of the four Monarchies, in several thousand lines of bad pentameter couplets, is simply a rhyming chronicle of the medieval type, the matter of which was supplied by Raleigh's History o