hide Matching Documents

The documents where this entity occurs most often are shown below. Click on a document to open it.

Document Max. Freq Min. Freq
Demosthenes, Speeches 51-61 4 0 Browse Search
Aeschylus, Seven Against Thebes (ed. Herbert Weir Smyth, Ph. D.) 4 0 Browse Search
Aristophanes, Knights (ed. Eugene O'Neill, Jr.) 4 0 Browse Search
Aristotle, Poetics 4 0 Browse Search
Strabo, Geography 4 0 Browse Search
Lysias, Speeches 4 0 Browse Search
Pindar, Pythian 4 (ed. Steven J. Willett) 2 0 Browse Search
Aristophanes, Thesmophoriazusae (ed. Eugene O'Neill, Jr.) 2 0 Browse Search
Euripides, Helen (ed. E. P. Coleridge) 2 0 Browse Search
Euripides, Hecuba (ed. E. P. Coleridge) 2 0 Browse Search
View all matching documents...

Browsing named entities in Pausanias, Description of Greece. You can also browse the collection for Argos (Greece) or search for Argos (Greece) in all documents.

Your search returned 128 results in 81 document sections:

1 2 3 4 5 6 7 8 9
Pausanias, Description of Greece, Elis 1, chapter 16 (search)
es, married women. The games of the maidens too are traced back to ancient times; they say that, out of gratitude to Hera for her marriage with Pelops, Hippodameia assembled the Sixteen Women, and with them inaugurated the Heraea. They relate too that a victory was won by Chloris, the only surviving daughter of the house of Amphion, though with her they say survived one of her brothers. As to the children of Niobe, what I myself chanced to learn about them I have set forth in my account of Argos.See Paus. 2.21.9. Besides the account already given they tell another story about the Sixteen Women as follows. Damophon, it is said, when tyrant of Pisa did much grievous harm to the Eleans. But when he died, since the people of Pisa refused to participate as a people in their tyrant's sins, and the Eleans too became quite ready to lay aside their grievances, they chose a woman from each of the sixteen cities of Elis still inhabited at that time to settle their differences, this woman to
Pausanias, Description of Greece, Elis 1, chapter 17 (search)
tune, Dionysus and a winged Victory. I cannot say who the artists were, but these figures too are in my opinion very ancient. The figures I have enumerated are of ivory and gold, but at a later date other images were dedicated in the Heraeum, including a marble Hermes carrying the baby Dionysus, a work of Praxiteles, and a bronze Aphrodite made by Cleon of Sicyon.circa 388 B.C. The master of this Cleon, called Antiphanes, was a pupil of Periclytus, who himself was a pupil of Polycleitus of Argos. A nude gilded child is seated before Aphrodite, a work fashioned by Boethus of Calchedon. There were also brought hither from what is called the Philippeum other images of gold and ivory, Eurydice the wife of Aridaeus and Olympias the wife of Philip. There is also a chest made of cedar, with figures on it, some of ivory, some of gold, others carved out of the cedar-wood itself. It was in this chest that Cypselus, the tyrant of Corinth, was hidden by his mother when the Bacchidae were anx
Pausanias, Description of Greece, Elis 1, chapter 23 (search)
Greeks was made by Anaxagoras of Aegina. The name of this artist is omitted by the historians of Plataea. In front of this Zeus there is a bronze slab, on which are the terms of the Thirty-years Peace between the Lacedaemonians and the Athenians. The Athenians made this peace after they had reduced Euboea for the second time, in the third year of the eighty-third Olympiad, when Crison of Himera won the foot-race446-445 B.C.. One of the articles of the treaty is to the effect that although Argos has no part in the treaty between Athens and Sparta, yet the Athenians and the Argives may privately, if they wish, be at peace with each other. Such are the terms of this treaty. There is yet another image of Zeus dedicated beside the chariot of Cleosthenes. This chariot I will describe later; the image of Zeus was dedicated by the Megarians, and made by the brothers Psylacus and Onaethus with the help of their sons. About their date, their nation and their master, I can tell you nothing
Pausanias, Description of Greece, Elis 1, chapter 26 (search)
er and Hesiod, then again deities, Asclepius and Health. Among the offerings of Micythus is Struggle carrying jumping-weights, the shape of which is as follows. They are half of a circle, not an exact circle but elliptical, and made so that the fingers pass through as they do through the handle of a shield. Such are the fashion of them. By the statue of Struggle are Dionysus, Orpheus the Thracian, and an image of Zeus which I mentioned just now.Paus. 5.24.6 They are the works of Dionysius of Argos.circa 460 B.C. They say that Micythus set up other offerings also in addition to these, and that they formed part of the treasures taken away by Nero. The artists are said to have been Dionysius and Glaucus, who were Argives by birth, but the name of their teacher is not recorded. Their date is fixed by that of Micythus, who dedicated the works of art at Olympia. For Herodotus in his historyHdt. 7.170 says that this Micythus, when Anaxilas was despot of Rhegium, became his slave and steward
Pausanias, Description of Greece, Elis 1, chapter 27 (search)
edicated by the Maenalian Phormis. He crossed to Sicily from Maenalus to serve Gelon the son of Deinomenes. Distinguishing himself in the campaigns of Gelon and afterwards of his brother Hieron, he reached such a pitch of prosperity that he dedicated not only these offerings at Olympia, but also others dedicated to Apollo at Delphi. The offerings at Olympia are two horses and two charioteers, a charioteer standing by the side of each of the horses. The first horse and man are by Dionysius of Argos, the second are the work of Simon of Aegina.488-460 B.C. On the side of the first of the horses is an inscription, the first part of which is not metrical. It runs thus:—Phormis dedicated me,An Arcadian of Maenalus, now of Syracuse. This is the horse in which is, say the Eleans, the hippomanes （what maddens horses）. It is plain to all that the quality of the horse is the result of magic skill. It is much inferior in size and beauty to all the horses standing within the Altis. Moreover, its t<
Pausanias, Description of Greece, Elis 2, chapter 1 (search)
happened to be better made than others. On the right of the temple of Hera is the statue of a wrestler, Symmachus the son of Aeschylus. He was an Elean by birth. Beside him is Neolaidas, son of Proxenus, from Pheneus in Arcadia, who won a victory in the boys' boxing-match. Next comes Archedamus, son of Xenius, another Elean by birth, who like Symmachus overthrew wrestlers in the contest for boys. The statues of the athletes mentioned above were made by Alypus of Sicyon, pupil of Naucydes of Argos. The inscription on Cleogenes the son of Silenus declares that he was a native, and that he won a prize with a riding-horse from his own private stable. Hard by Cleogenes are set up Deinolochus, son of Pyrrhus, and Troilus, son of Alcinous. These also were both Eleans by birth, though their victories were not the same. Troilus, at the time that he was umpire, succeeded in winning victories in the chariot-races, one for a chariot drawn by a full-grown pair and another for a chariot drawn by f
Pausanias, Description of Greece, Elis 2, chapter 2 (search)
e those I have already mentioned, the following horse-breeders from Sparta have their statues set up after that of the Acarnanian athlete Xenarces,Xenarces has already appeared in the first sentence of this chapter as the name of the Acarnanian. The repetition of the name within a few lines suggests that in the first sentence the word *xena/rkhs has displaced some other name, now lost to us. Lycinus, Arcesilaus, and Lichas his son. Xenarces succeeded in winning other victories, at Delphi, at Argos and at Corinth. Lycinus brought foals to Olympia, and when one of them was disqualified, entered his foals for the race for full-grown horses, winning with them. He also dedicated two statues at Olympia, works of MyronMyron flourished about 460 B.C., and the race for foals was not introduced till 384 B.C. Hence, either the Greek text must be emended, or some other Myron, and not the earlier sculptor of that name, must be referred to here. the Athenian. As for Arcesilaus and his son Lichas, t
Pausanias, Description of Greece, Elis 2, chapter 6 (search)
edalus of Sicyon; that of the Athenian Callias, a pancratiast, is by the Athenian painter Micon. Nicodamus the Maenalian made the statue of the Maenalian pancratiast Androsthenes, the son of Lochaeus, who won two victories among the men. By these is set up a statue of Eucles, son of Callianax, a native of Rhodes and of the family of the Diagoridae. For he was the son of the daughter of Diagoras, and won an Olympic victory in the boxing-match for men. His statue is by Naucydes. Polycleitus of Argos, not the artist who made the image of Hera, but a pupil of Naucydes, made the statue of a boy wrestler, Agenor of Thebes. The statue was dedicated by the Phocian Commonwealth, for Theopompus, the father of Agenor, was a state friendProxenos: that is, he was a Theban who had under his care the interests of Phocians in Thebes. of their nation. Nicodamus, the sculptor from Maenalus, made the statue of the boxer Damoxenidas of Maenalus. There stands also the statue of the Elean boy Lastratidas,
Pausanias, Description of Greece, Elis 2, chapter 8 (search)
e boys' race, and Amertes of Elis the wrestlers' match for boys at Olympia, besides beating all competitors in the men's wrestling match at Pytho. It is not said who made the statue of Socrates, but that of Amertes is from the band of Phradmon of Argos. Euanoridas of Elis won the boys' wrestling-match both at Olympia and at Nemea. When he was made an umpire he joined the ranks of those who have recorded at Olympia the names of the victors. As to the boxer, by name Damarchus, an Arcadian of Parran by Myron. The story of Promachus, son of Dryon, a pancratiast of Pellene, will be included in my account of the Achaeans.See Paus. 7.27.5. Not far from Promachus is set up the statue of Timasitheus, a Delphian by birth, the work of Ageladas of Argos. This athlete won in the pancratium two victories at Olympia and three at Pytho. His achievements in war too are distinguished by their daring and by the good luck which attended all but the last, which caused his death. For when Isagoras the Ath
Pausanias, Description of Greece, Elis 2, chapter 9 (search)
nd Xenocles of Maenalus, who overthrew the boys at wrestling, and Alcetus, son of Alcinous, victor in the boys' boxing-match, who also was an Arcadian from Cleitor. Cleon made the statue of Alcetus; that of Xenocles is by Polycleitus. Aristeus of Argos himself won a victory in the long-race, while his father Cheimon won the wrestling-match. They stand near to each other, the statue of Aristeus being by Pantias of Chios, the pupil of his father Sostratus. Besides the statue of Cheimon at Olympia there is another in the temple of Peace at Rome, brought there from Argos. Both are in my opinion among the most glorious works of Naucydes. It is also told how Cheimon overthrew at wrestling Taurosthenes of Aegina, how Taurosthenes at the next Festival overthrew all who entered for the wrestling-match, and how a wraith like Taurosthenes appeared on that day in Aegina and announced the victory. The statue of Philles of Elis, who won the boys' wrestling-match, was made by the Spartan Cratinus.A
1 2 3 4 5 6 7 8 9