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Thomas Wentworth Higginson, Atlantic Essays 136 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 8 0 Browse Search
The writings of John Greenleaf Whittier, Volume 4. (ed. John Greenleaf Whittier) 6 0 Browse Search
Thomas Wentworth Higginson, Afternoon landscape: poems and translations 6 0 Browse Search
Thomas Wentworth Higginson, Women and Men 4 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
Southern Historical Society Papers, Volume 33. (ed. Reverend J. William Jones) 2 0 Browse Search
Thomas Wentworth Higginson, The new world and the new book 2 0 Browse Search
HISTORY OF THE TOWN OF MEDFORD, Middlesex County, Massachusetts, FROM ITS FIRST SETTLEMENT, IN 1630, TO THE PRESENT TIME, 1855. (ed. Charles Brooks) 2 0 Browse Search
Mary Thacher Higginson, Thomas Wentworth Higginson: the story of his life 2 0 Browse Search
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Browsing named entities in Thomas Wentworth Higginson, The new world and the new book. You can also browse the collection for Sappho or search for Sappho in all documents.

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Thomas Wentworth Higginson, The new world and the new book, XI (search)
is not so difficult as one might suppose. It often takes a great while to determine the comparative merit of authors,— indeed, the newspapers are just now saying that the late Mr. Tupper had a larger income from the sales of his works than Browning, Tennyson, and Lowell jointly received,—but it does not take so long to determine which among an author's works are the best; and it is probable that the Descent of Neptune in the Iliad, and the Vision of Helen in the Agamemnon of Aeschylus, and Sappho's famous ode, and the Birds of Aristophanes, and the Hylas of Theocritus, and the Sparrow of Catullus, and the De Arte Poetica of Horace were early recognized as being the same distinct masterpieces that we now find them. It is the tradition that an empress wept when Virgil recited his Tu Marcellus eris; and it still remains the one passage in the Aeneid that calls tears to the eye. After all, contemporary criticism is less trivial than we think. Philosophers, says Novalis, are the eternal