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Document Max. Freq Min. Freq
Frederick H. Dyer, Compendium of the War of the Rebellion: Regimental Histories 1,756 1,640 Browse Search
Rebellion Record: a Diary of American Events, Diary from December 17, 1860 - April 30, 1864 (ed. Frank Moore) 979 67 Browse Search
Elias Nason, McClellan's Own Story: the war for the union, the soldiers who fought it, the civilians who directed it, and his relations to them. 963 5 Browse Search
Benson J. Lossing, Pictorial Field Book of the Civil War. Volume 1. 742 0 Browse Search
Benjamnin F. Butler, Butler's Book: Autobiography and Personal Reminiscences of Major-General Benjamin Butler 694 24 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 457 395 Browse Search
Horace Greeley, The American Conflict: A History of the Great Rebellion in the United States of America, 1860-65: its Causes, Incidents, and Results: Intended to exhibit especially its moral and political phases with the drift and progress of American opinion respecting human slavery from 1776 to the close of the War for the Union. Volume I. 449 3 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 2. (ed. Frank Moore) 427 7 Browse Search
Thomas Wentworth Higginson, Massachusetts in the Army and Navy during the war of 1861-1865, vol. 1, Mass. officers and men who died. 420 416 Browse Search
Robert Underwood Johnson, Clarence Clough Buell, Battles and Leaders of the Civil War: Volume 2. 410 4 Browse Search
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Browsing named entities in Sulpicia, Carmina Omnia (ed. Anne Mahoney). You can also browse the collection for Washington (United States) or search for Washington (United States) in all documents.

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Sulpicia, Carmina Omnia (ed. Anne Mahoney), section 1 (search)
pertius and Tibullus wrote collections. Ovid's Amores follow the generic conventions established by these poets; his Ars Amatoria, Heroides, and other elegiac poems expand the limits of the genre. There are no more significant poets in this style after Ovid. While the poems of Tibullus, Propertius, and Ovid are relatively long (typically 20 to 100 lines), Sulpicia's are quite short, not unlike some of the shorter elegiac poems of Catullus (for example, 70, 75, 85, 87, and perhaps 76). In Rome as well as in Greece, the elegiac couplet was originally used for short poems, including epigrams for dedications or on funeral monuments (ROL epitaph 10, 135 BC). Greek poets were writing longer poems in this metrical form, however, as early as Tyrtaeus in the seventh century BC, and the elegiac couplet quickly becomes a general form, not tied to any particular genre. This is how Catullus uses the form; his elegiac poems range from short, pithy epigrams like 85 and 93 to longer poems like