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James Russell Lowell, Among my books 32 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 26 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 22 0 Browse Search
Thomas Wentworth Higginson, John Greenleaf Whittier 18 0 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 17 5 Browse Search
Lucius R. Paige, History of Cambridge, Massachusetts, 1630-1877, with a genealogical register 16 0 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 1 8 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 8 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 8 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 8 0 Browse Search
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James Russell Lowell, Among my books, Dante. (search)
short-sighted persons who cannot see beyond their own parish. Dante's want of faith in freedom was of the same kind with Milton's refusing (as Tacitus had done before) to confound license with liberty. The argument of the De Monarchia is briefly thord on what seems to us an extraordinary misapprehension of Coleridge, who disparages Dante by comparing his Lucifer with Milton's Satan. He seems to have forgotten that the precise measurements of Dante were not prosaic, but absolutely demanded by ry, for it is plain that he believed it himself. It is false aesthetics to confound the grandiose with the imaginative. Milton's angels are not to be compared with Dante's, at once real and supernatural; and the Deity of Milton is a Calvinistic Zeuel the brightness of an angel? He makes him whiten afar through the smoke like a dawn, Purgatorio, XVI. 142. Here is Milton's Far off his coming shone. or, walking straight toward the setting sun, he finds his eyes suddenly unable to withstand a
James Russell Lowell, Among my books, Spenser (search)
ertainty of a 'prentice hand. Spenser shows himself already a master, at least in verse, and we can trace the studies of Milton, a yet greater master, in the Shepherd's Calendar as well as in the Faery Queen. We have seen that Spenser, under the moline and Percye (Cuddie and Piers). Drummond, it will be remarked, speaking from memory, takes Cuddy to be Colin. In Milton's Lycidas there are reminiscences of this eclogue as well as of that for May. The latter are the more evident, but I think that Spenser's Cuddie, the praise is better than the price, suggested Milton's But not the praise, Phoebus replied, and touched my trembling ears. Shakespeare had read and remembered this pastoral. Compare But, ah, Mecaenas is yclad int. That of Winthrop and Higginson had a mellowness of which Endicott and Standish were incapable. The gradual change of Milton's opinions was similar to that which I suppose in Spenser. The passage in Mother Hubberd may have been aimed at the Prot
James Russell Lowell, Among my books, Wordsworth. (search)
ordsworth composed chiefly in the open air. It did not prevent him from writing a pamphlet upon the Convention of Cintra, which was published too late to attract much attention, though Lamb says that its effect upon him was like that which one of Milton's tracts might have had upon a contemporary. Wordsworth's pamphlet will fail of producing any general effect, because the sentences are long and involved; and his friend De Quincey, who corrected the press, has rendered them more obscure by an g emotion. He excels in monologue, and the law of the sonnet tempers monologue with mercy. In The Excursion we are driven to the subterfuge of a French verdict of extenuating circumstances. His mind had not that reach and elemental movement of Milton's, which, like the trade-wind, gathered to itself thoughts and images like stately fleets from every quarter; some deep with silks and spicery, some brooding over the silent thunders of their battailous armaments, but all swept forward in their d
James Russell Lowell, Among my books, Milton. (search)
1638-1643. London and New York: Macmillan & Co. 1871. 8vo. pp. XII, 608. The Poetical Works of John Milton, edited, with Introduction, Notes, and an Essay on Milton's English, by David Masson, M. A., Ll. D., Professor of Rhetoric and English Literature in the University of Edinburgh. 3 vols. 8vo. Macmillan & Co. 1874. if ting Milton to his thirty-fifth year, and an interval of eleven years stretches between the dates of the first and second instalments of his published labors. As Milton's literary life properly begins at twenty-one, with the Ode on the Nativity, and as by far the more important part of it lies between the year at which we are arry encountered, and the eddies that may at any time slip us back to the reformation in Scotland or the settlement of New England; when we consider, moreover, that Milton's life overlapped the grand siecle of French literature, with its irresistible temptations to digression and homily for a man of Mr. Masson's temperament, we may
James Russell Lowell, Among my books, Keats. (search)
ttention, and the rest of this year seems to have been occupied with a journey on foot in Scotland, and the composition of Endymion, which was published in 1818. Milton's Tetrachordon was not better abused; but Milton's assailants were unorganized, and were obliged each to print and pay for his own dingy little quarto, trusting Milton's assailants were unorganized, and were obliged each to print and pay for his own dingy little quarto, trusting to the natural laws of demand and supply to furnish him with readers. Keats was arraigned by the constituted authorities of literary justice. They might be, nay, they were Jeffrieses and Scroggses, but the sentence was published, and the penalty inflicted before all England. The difference between his fortune and Milton's was tMilton's was that between being pelted by a mob of personal enemies and being set in the pillory. In the first case, the annoyance brushes off mostly with the mud; in the last, there is no solace but the consciousness of suffering in a great cause. This solace, to a certain extent, Keats had; for his ambition was noble, and he hoped not to ma