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Eliza Frances Andrews, The war-time journal of a Georgia girl, 1864-1865 18 16 Browse Search
Knight's Mechanical Encyclopedia (ed. Knight) 14 0 Browse Search
Benson J. Lossing, Pictorial Field Book of the Civil War. Volume 2. 6 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 6. (ed. Frank Moore) 3 1 Browse Search
Brigadier-General Ellison Capers, Confederate Military History, a library of Confederate States Military History: Volume 5, South Carolina (ed. Clement Anselm Evans) 2 0 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 8: Soldier Life and Secret Service. (ed. Francis Trevelyan Miller) 2 0 Browse Search
Horace Greeley, The American Conflict: A History of the Great Rebellion in the United States of America, 1860-65: its Causes, Incidents, and Results: Intended to exhibit especially its moral and political phases with the drift and progress of American opinion respecting human slavery from 1776 to the close of the War for the Union. Volume II. 2 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 7. (ed. Frank Moore) 2 0 Browse Search
The Daily Dispatch: October 9, 1861., [Electronic resource] 2 0 Browse Search
The Daily Dispatch: June 7, 1861., [Electronic resource] 2 0 Browse Search
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Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 8: Soldier Life and Secret Service. (ed. Francis Trevelyan Miller). You can also browse the collection for Cooley or search for Cooley in all documents.

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horses huddling together before the camera, shows Brady's outfit going to the front, in 1861. The lowest photograph demonstrates that even the busy photographer occasionally slept in his Camp with the army. The lefthand of the three center pictures shows the What-is-it? again, on the Bull Run battlefield; in the next appears the developing tent of Barnard, Colonel O. M. Poe's engineer-corps photographer, before one of the captured Atlanta forts, in September, 1864; and in the last stands Cooley, photographer to the Army of the Tennessee, with his camera, on the battered parapet of Sumter in 1865. In spite of these elaborate preparations of the enterprising photographers, among the million men in the field few knew that any photographs were being taken. These volumes will be the first introduction of many a veteran to the photography of fifty years before. Sheridan had the born soldier's contempt for such characters, and though setting the man to work, as suggested, he had him