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Frank Preston Stearns, Cambridge Sketches 20 0 Browse Search
Thomas Wentworth Higginson, Margaret Fuller Ossoli 10 0 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 2 8 0 Browse Search
Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall) 8 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 6 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 6 0 Browse Search
Thomas Wentworth Higginson, Henry Wadsworth Longfellow 4 0 Browse Search
Southern Historical Society Papers, Volume 11. (ed. Reverend J. William Jones) 4 0 Browse Search
Henry Morton Stanley, Dorothy Stanley, The Autobiography of Sir Henry Morton Stanley 4 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
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Browsing named entities in Frank Preston Stearns, Cambridge Sketches. You can also browse the collection for Michael Angelo or search for Michael Angelo in all documents.

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Frank Preston Stearns, Cambridge Sketches, Leaves from a Roman diary: February, 1869 (Rewritten in 1897) (search)
so during the service we had an excellent opportunity to study Michael Angelo's Last Judgment — for there was nothing else to be done. Kugortal hide in the other. This is not a pleasant spectacle; but Michael Angelo did not paint for other people's pleasure, but rather to satisfathered together above and the sinners are hurled down below. Michael Angelo's saints and apostles look like vigorous men of affairs, and ar to much after all. All this shows what a heart there was in Michael Angelo, and dissipates the assertion of a recent English biographer that Michael Angelo painted masks instead of faces, with little or no expression. After the service we went into St. Peter's with the ladiesm, until we reached the ancient Capitol of Rome, rearranged by Michael Angelo. Here we stood before the equestrian statue of Marcus Aureliusere to witness the fatiguing spectacles of Easter. One look at Michael Angelo's Last judgment would be worth the whole of it to me. P-- is
Frank Preston Stearns, Cambridge Sketches, Centennial Contributions (search)
ties. In his persistent reserve, in the seriousness of his delineation, and in his indifference to the opinions of others, Hawthorne reminds us somewhat of Michael Angelo; but he is one of the most unique figures among the world's geniuses. action and royal abandon which greets us in Shakespeare's and Plutarch's Cleopatra. S pretty good Venuses, but we cannot look at them through the same mental and moral atmosphere as the cotemporaries of Scopas, or even with the same eyes that Michael Angelo did. We feel the difference between a modern Venus and an ancient one. There is a statue in the Vatican of a Roman emperor, of which every one says that it omith was the more dramatic. He also resembled Goldsmith in his small financial difficulties. In his persistent reserve, in the seriousness of his delineation, and in his indifference to the opinions of others, Hawthorne reminds us somewhat of Michael Angelo; but he is one of the most unique figures among the world's geniuses.