Browsing named entities in Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Angelo or search for Angelo in all documents.

Your search returned 1 result in 1 document section:

Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 2: the early drama, 1756-1860 (search)
of a descending quality. Perhaps the most clever of the later comedies of social life is Americans in Paris by W. H. Hurlbert, performed in 1858. In romantic comedy, there was very little that could compare with the achievement in romantic tragedy. The Deformed, played in 1830, by Richard Penn Smith, has some real merit, though it owes much to Dekker. Tortesa, the Usurer, by N. P. Willis, was played by J. W. Wallack in 1839 in New York and later in England, where Lester Wallack played Angelo to his father's Tortesa. It is an excellent play, and the last act, in which the usurer rises to the dignity of self-sacrifice, is especially appealing. Another play in which the two Wallacks were associated, The Veteran (1859), written by Lester Wallack, is an entertaining comedy laid in France and Algeria. Boker's Betrothal has already been mentioned. Mrs. Mowatt's Armand, or The Child cf the People, produced in 1847 in New York and in 1849 in London, is a blank verse comedy of some me