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Frank Preston Stearns, Cambridge Sketches 20 0 Browse Search
Thomas Wentworth Higginson, Margaret Fuller Ossoli 10 0 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 2 8 0 Browse Search
Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall) 8 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 6 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 6 0 Browse Search
Thomas Wentworth Higginson, Henry Wadsworth Longfellow 4 0 Browse Search
Southern Historical Society Papers, Volume 11. (ed. Reverend J. William Jones) 4 0 Browse Search
Henry Morton Stanley, Dorothy Stanley, The Autobiography of Sir Henry Morton Stanley 4 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
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Browsing named entities in Jula Ward Howe, Reminiscences: 1819-1899. You can also browse the collection for Michael Angelo or search for Michael Angelo in all documents.

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Jula Ward Howe, Reminiscences: 1819-1899, Chapter 13: the Boston Radical Club: Dr. F. H. Hedge (search)
Protestant divine, Athanase Coquerel, spoke of religion and art in their relation to each other. After a brief but interesting review of classic, Byzantine, and mediaeval art, M. Coquerel expressed his dissent from the generally received opinion that the Church of Rome had always been foremost in the promotion and patronage of the fine arts. The greatest of Italian masters, he averred, while standing in the formal relations with that church, had often shown opposition to its spirit. Michael Angelo's sonnets revealed a state of mind intolerant of ecclesiastical as of other tyranny. Raphael, in the execution of a papal order, had represented true religion by a portrait figure of Savonarola. Holbein and Rembrandt were avowed Protestants. He considered the individuality fostered by Protestantism as most favorable to the development of originality in art. With these views Colonel Higginson did not agree. He held that Christianity had reached its highest point under the dispensat