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Jula Ward Howe, Reminiscences: 1819-1899 8 0 Browse Search
The Daily Dispatch: May 10, 1864., [Electronic resource] 8 0 Browse Search
The Daily Dispatch: March 8, 1865., [Electronic resource] 6 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 2 0 Browse Search
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 2 0 Browse Search
The Daily Dispatch: September 16, 1861., [Electronic resource] 2 0 Browse Search
The Daily Dispatch: December 24, 1863., [Electronic resource] 2 0 Browse Search
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Browsing named entities in The Daily Dispatch: May 10, 1864., [Electronic resource]. You can also browse the collection for Rossini or search for Rossini in all documents.

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Rossini's latest composition --Rossini's new mass was produced on March 14th, at the residence of the composer's friend, Count Wippern, near Paris, before about five hundred people. It is written for soprano, alto, tenor, and bass solo, with Rossini's new mass was produced on March 14th, at the residence of the composer's friend, Count Wippern, near Paris, before about five hundred people. It is written for soprano, alto, tenor, and bass solo, with chorus, and on this occasion was accompanied on two pianos and a harmonium. Rossini was present, and the Sisters Marchislof, with Gardoni and Agnesi, were the singers, the chorus numbering only twenty voices, while among the audience were MeyerbeerRossini was present, and the Sisters Marchislof, with Gardoni and Agnesi, were the singers, the chorus numbering only twenty voices, while among the audience were Meyerbeer, Auber; Carafa, Mario, Duprez, and other composers and artists. The composition, though often florid, is yet described as very grand and fully worthy of the great master. The most noticeable features of the mass are a Kyrie, a majestic Gloria, a y an unaccompanied chorus, and a fugue, Cum Sanctu Spritu. After the performance, the ladies present insisted on kissing Rossini. Meyerbeer called him "Jupiter," Auber, in burlesque patronage, said "he has talents worthy cultivation;" and Bagler, t