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William Morris Hunt (search for this): chapter 6
t Rome was a mouldy place and the ruins made him feel melancholy; also, because he preferred oil paintings to frescos. He had just come from Venice, and spoke with enthusiasm of the mighty works of Tintoretto, --especially his small painting of the Visitation, above the landing of the staircase in the Scuola of San Rocco. He did not like the easel paintings of Raphael on account of their hard outlines; those in the Vatican did him better justice. This idea he may have derived from William Morris Hunt, the Boston portrait-painter. He considered the action of the Niobe group too strenuous to be represented in marble. Miss Mary Felton liked the Niobe statues; so Lowell said, Now come back with me, and I will sit on you. Accordingly we all returned to the Niobe hall, where Lowell lectured us on the statues without, however, entirely convincing Miss Felton. Then we went to the hall in the Uffizi Palace, which is called the Tribune. Mrs. Lowell had never been in the Tribune, where
ion, like a crystal glasse. A child was born where she did not belong, and Lowell was the chivalrous knight who rescued her. It must have been Maria White who made an Emersonian of him. Margaret Fuller had stirred up the intellectual life of New England women to a degree never known before or since, and Miss White was one of those who came within the scope of her influence. Lowell himself speaks of her as being considered transcendental. She studied German, and translated poems from Uhland, who might be called the German Longfellow. Certain it is that from the time of their marriage his opinions not only changed from what they had been previously, but his ideas of poetry, philosophy, and religion became more consistent and clearly defined. The path that she pointed out to him, or perhaps which they discovered together, was the one that he followed all through life; so that in one of his later poems, he said, half seriously, that he was ready to adopt Emerson's creed if anyon
Maria Chapman (search for this): chapter 6
f similar sort; but, nevertheless, if the primitive Yankee should become extinct, as now seems very probable, Lowell's masterly portrait of him will remain, and future generations can reconstruct him from it, as Agassiz reconstructed an extinct species of mammal from fossil bones. Lowell did not join the Free-soilers, who were now bearing the brunt of the anti-slavery conflict, but attached himself to the more aristocratic wing of the old abolitionists, which was led by Edmund Quincy, Maria Chapman, and L. Maria Child. Lowell was far from being a non-resistant. In fact, he might be called a fighting-man, although he disapproved of duelling; and this served to keep him at a distance from Garrison, of whom he wisely remarked that the nearer public opinion approached to him the further he retreated into the isolation of his own private opinions. He wrote regularly for the Anti-Slavery Standard until 1851, when the death of his father-in-law supplied the long-desired means for a jou
Mabel Lowell (search for this): chapter 6
n the front stoop of the Middlesex Hotel,while Lowell was listening to the pithy conversation of Yaxtinct species of mammal from fossil bones. Lowell did not join the Free-soilers, who were now bend Quincy, Maria Chapman, and L. Maria Child. Lowell was far from being a non-resistant. In fact, of his biographers, but I cannot discover that Lowell took any share in the opposition to the Fugitthat happened during his first visit to Rome. Lowell and his wife took lodgings with a respectable last night,--my poor husband went to heaven. Lowell wondered why there was a pope in Rome if goingm to have decided it. From this time till 1873 Lowell was more of a prose-writer than a poet, and hiame so near to expressing the inexpressible as Lowell. One could wish that his studies in Shakesprs, afterwards came to the same conclusion. Lowell was the gentlemanly instructor. He appealed ta portrait painter might. If one could meet Lowell in a fairly empty horse-car, he would be quite[12 more...]
Maria Lowell (search for this): chapter 6
eatest care. More than this, Lessing was as Lowell realized afterwards,--too critical and polemicinary housekeeper, but the sister of one of Maria Lowell's most intimate friends, and she was such ause which ultimately proved to be their ruin. Lowell accepted the position of editor, and such a pet in Florence: I am tired of being called Professor Lowell, and I want to be plain Mr. Lowell again.d have accepted such a dubious honor, and that Lowell should recognize it. On his return to Cambrell or anybody. In fact, he seems to have won Lowell over after this to his own way of thinking. Lowell certainly became more conservative with age. He did not support the movement for negro citizrican Review with him. It would not do to lose Lowell also, so the Republican leaders hit upon the stors met at the Parker House in January, 1877, Lowell deposited his ballot for Hayes and Wheeler, anbut which is really a new name for dogmatism. Lowell, if not a transcendentalist, was always an ide[23 more...]
or Lowell; for it was the only position of the kind that he could have obtained there or anywhere else. In fact, it was a question whether the appointment would be confirmed on account of his transcendental tendencies, and his connection with the Anti-slavery Standard; but Longfellow threw the whole weight of his influence in Lowell's favor, and this would seem to have decided it. From this time till 1873 Lowell was more of a prose-writer than a poet, and his essays on Chaucer, Shakespeare, Milton, and other English poets are the best of their kind, --not brilliant, but appreciative, penetrating, and well-considered. Wasson said of him that no other critic in the English tongue came so near to expressing the inexpressible as Lowell. One could wish that his studies in Shakespeare had been more extended. He treats the subject as if he felt it was too great for him; but he was the first to take notice that the play of Richard III. indicated in its main extent a different hand, and
not brilliant, but appreciative, penetrating, and well-considered. Wasson said of him that no other critic in the English tongue came so near to expressing the inexpressible as Lowell. One could wish that his studies in Shakespeare had been more extended. He treats the subject as if he felt it was too great for him; but he was the first to take notice that the play of Richard III. indicated in its main extent a different hand, and it is now generally admitted to have been the work of Fletcher. With the keenest insight he noticed that the magician Prospero was an impersonation of Shakespeare himself; and George Brandes, the most thoroughgoing of Shakespearean scholars, afterwards came to the same conclusion. Lowell was the gentlemanly instructor. He appealed to the gentleman in the students who sat before him, and he rarely appealed in vain. Like Longfellow he carried an atmosphere of politeness about him, which was sufficient to protect him from everything rude and common.
t time to disparage Emerson as an imitator of Carlyle; and this was Lowell's reply to it. He told Professor Hedge an amusing incident that happened during his first visit to Rome. Lowell and his wife took lodgings with a respectable elderly Italian woman whose husband was in a sickly condition. One morning she met him in the passageway with tearful eyes and said: Un grana disgrazie happened last night,--my poor husband went to heaven. Lowell wondered why there was a pope in Rome if goingut twice the usual price, and though the man afterwards reduced his demand to a reasonable figure Lowell would not go with him at all, and told him that such practices made Americans dislike the Italian people. It is to be feared that a strange Italian might fare just as badly in America. Readers of Lowell's Fireside travels will have noticed that the first of them is addressed to the Edelmann Story in Rome. The true translation of this expression is Nobleman Story; that is, William W. St
Robert Browning (search for this): chapter 6
ime, for there is a cut all round in his class poem, although it is the most vigorous and highly-finished production of his academic years. After college came the law, in which he succeeded as well as youthful attorneys commonly do; and at the age of twenty-five he entered into the holy bonds of matrimony. The union of James Russell Lowell to Maria White, of Watertown, was the most poetic marriage of the nineteenth century, and can only be compared to that of Elizabeth Barrett and Robert Browning. Miss White was herself a poetess, and full of poetical impulse to the brim. Maria would seem to have been born in the White family as Albinos appear in Africa, --for the sake of contrast. She shone like a single star in a cloudy sky,--a pale, slender, graceful girl, with eyes, to use Herrick's expression, like a crystal glasse. A child was born where she did not belong, and Lowell was the chivalrous knight who rescued her. It must have been Maria White who made an Emersonian of
Henry Wilson (search for this): chapter 6
British back from Concord bridge, and it was their sons who fought their way from the Rapidan to Richmond. With the help of country lawyers they sent Sumner and Wilson to the Senate, and knew what they were about when they did this. For wit, humor, and repartee,and, it may be added, for decent conversation, --there is no class acquainted with prominent men in public life, and depended too much on information derived at dinner-parties, or similar occasions. During the war period Sumner, Wilson, and Andrew were almost omnipotent in Massachusetts, for the three worked together in a common cause; but power always engenders envy and so an inside opposition Lowell lent his assistance without being aware of its true character. His articles in the North American on public affairs were severely criticised by Andrew and Wilson, while Frank W. Bird frankly called them giving aid and comfort to the enemy. It was certainly a doubtful course to pursue at such a critical juncture-when all
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