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Browsing named entities in a specific section of Southern Historical Society Papers, Volume 11. (ed. Reverend J. William Jones). Search the whole document.

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has a pleasant studio on Leigh street, one of the quietest, shadiest portions of the shady city of Richmond. It is fitted with that bric-a-brac so dear to the artist's soul—old tapestries, articles of vertu, statuettes by Flamingo, figures found in Pompeii, curios from Egypt, his master Kiss's works, copies from the old galleries of Florence and Rome, and such like matters—not to speak of the sculptor's own varied creations, which, of course, give it its special attraction and value. The April number of the Southern Review, in an article entitled Art in the South, thus speaks of Mr. Valentine: Valentine, of Virginia, is one of the foremost of American sculptors, * * * and were his studio in Rome, or London, or Boston, or New York, is it too much to say that his hands would be filled with commissions? Is it beyond the truth to aver that his pathetic and exquisite Andromache and Astyanax would have been gracing in marble some princely saloon, instead of having to wait in the moulde
g. Arriving at the cemetery gate, the procession entered to the roll of muffled drums, and after marching around the grave of Stonewall Jackson, General Steuart, Lieutenant W. P. Zollinger, Lieutenant-Colonel Clemment Sullivan, Captain John W. Torsch, Captain Frank Marcoe, of General Gordon's staff, and Captain A. J. Smith, deposited at the head of the grave a handsome bronze Memorial Tablet to Jackson. The tablet is about five feet high. At the head is the word Stonewall; on one side June 28th, on the other 1883. Just underneath the word Stonewall is the coat-of-arms of Maryland, and below that the following legend: Fatti machii parole femine—From the survivors of his men in Maryland. Jackson's grave was beautifully decorated with flowers, as was also the iron rail around it. At the four corners of the railing were shields, attached to cross-swords and surrounded by wreaths of evergreens. Each shield bore a motto, as follows: 1. That could not yield, Was the legend of his
October 13th (search for this): chapter 61
l Lee's death there was a meeting of old Confederate soldiers held in the Courthouse, in Lexington, over which Captain A. Graham, of the old Rockbridge Artillery, presided, and Rev. J. William Jones was made Secretary. After making some arrangements in reference to attending in a body the funeral of our great commander, a committee, consisting of Major J. B. Dorman and Rev. J. William Jones, was appointed to present suitable resolutions to an adjourned meeting to be held the next day—October the 13th. At this meeting the committee presented the following resolutions, which were unanimously and heartily adopted: 1. Resolved, That as humble members of the great army of which General Robert Edward Lee was the illustrious head and chief, we mourn his death. With feelings untinged by bitter memories of a stormy past, and with no vain thought of exalting his name in the opinion of mankind, we meet to do him honor. At his open grave, passion must stand abashed, and eulogy is dumb.
as followed by an oration by Senator Withers. Professor White announced that the ceremonies of laying the corner-stone would be conducted by General Joseph E. Johnston and Hon. John Randolph Tucker, and the audience repairing to the northeast corner of the building, General Johnston, after paying a short but feeling tribute to the memory of Lee, proceeded to deposit in the leaden box inserted in the stone the following articles: Copy of autograph letter of General Washington, written in 1798, making bequest of $50,000 to Liberty Hall Academy. Action of the Board of Trustees calling General Lee to the presidency of Washington College in 1865. General Lee's letter of acceptance. Personal Recollections of General Lee, by General Pendleton, delivered by him on the second anniversary of his death. Reminiscence, anecdotes and letters of General R. E. Lee, by J. William Jones, D. D. Roll of Liberty-Hall Volunteers. Photographs of General R. E. Lee, General Custis Lee,
January 19th, 1807 AD (search for this): chapter 61
ophagus simple almost to severity in its order, and which rests on a granite base course. The sides of the sarcophagus are composed of two marble panels each, the space between the panels bearing in basso relievo on the one side the Lee court-of-arms, with the motto Non Incautus Futuri, and on the other the arms of Virginia. The head and foot consist of one panel each—the former being ornamented by a simple cross, the latter bearing the legend: Robert Edward Lee, born January 19TH, 1807; died October 12TH, 1870. The entablature is supported at the four corners by fluted pilasters. Regarding the figure as a sculptural achievement, when it was exhibited in Richmond we wrote, after careful study of it, the following criticism. These impressions are now, to our mind, more than confirmed. The figure is over life-size, and rests upon a heavily-draped couch in an attitude of easy repose, the head being elevated to a natural position, with the face turned slig
November 12th, 1838 AD (search for this): chapter 61
name which will not die. Circumstances have combined to trammel and hinder him in his onward career. The fortunes of war have affected his success. We all remember how grand old Michael Angelo's noble creations were interfered with when armies beleagured his beloved Florence; and, reasoning from the greater to the less, we can well understand how our modern sculptor has fared in his war-smitten city and State. Edward Virginius Valentine was born in the city of Richmond, Virginia, November 12, 1838. As is usual with those whose art-faculty is an instinct, his talent for sculpture developed itself in his earliest boyhood, and he was fortunate in possessing surroundings that tended to foster his natural bent. He was not thwarted in any way; but his art proclivities were, nevertheless, not suffered to interfere with that solid foundation of education which should underlie all art. Thorwaldsen assumed the chisel before he could write and spell his own language or any other correctl
al soil holds him in Richmond, and hence he has not attained that national renown to which his remarkable merits entitle him. His earliest masters were Hubard, whose fine reproductions in bronze of Houdon's statue of Washington are well known, and Oswald Heinrich, who had come from the centre of Saxon art, Dresden, where his father was private secretary to the picture-loving king. But the ambitious youth panted for such stimulus as could only be found beyond the seas, and consequently, in 1859, when he was just twenty years of age, he went abroad for study. His first point was Paris, where he became a pupil of Couture and learned to draw from the nude. Couture had been a student of Paul de la Roche, and was then in the height of his popularity. After remaining for some time under his instruction, he set out again for the goal of his desires. Italy, the shrine of all the arts. He lingered in intoxicated delight amid the galleries of Milan, Verona, Florence, Rome, going even as
ute with the very same guns (the Cadet Battery, which Major Jackson used to command when a Professor in the Virginia Military Institute), with which on the field of First Manassas, they helped to win for the old brigade and its grand leader the immortal soubriquet of Stonewall. It was a touching scene to witness the greetings of the veteran survivors of this grand old battery, whose prowess had illustrated well nigh every battle-field of the Army of Northern Virginia from Falling Waters in 1861 to Appomattox Courthouse in 1865. Among those present on this occasion were noted: Colonel McLaughlin, Colonel W. T. Poague, Sergeants S. C. Smith, D. E. Moore, J. E. McCauley, Corporals William M. Wilson and William N. Bumpass, of Kentucky. Privates T. M. Wade, W. C. Estill, Joseph F. Shaner, W. F. Johnston, Jack Witerow, Alfred Good, E. A. Moore, Calvin Stuart, W. S. McClintic, of Missouri, J. F. Tompkins, R. E. Lee, James A. Ford, T. E. McCorkle, John Williams, and D. Gardner Tyler. Co
home, and turning his back on such offers as would have broken down the resistant patriotism of many a less ardent nature, he came back to Virginia at the close of 1865. When he landed in New York he was offered such advantages as were most tempting to an ambitious young artist; but he rather chose to cast in his lot with his ownitten in 1798, making bequest of $50,000 to Liberty Hall Academy. Action of the Board of Trustees calling General Lee to the presidency of Washington College in 1865. General Lee's letter of acceptance. Personal Recollections of General Lee, by General Pendleton, delivered by him on the second anniversary of his death. nd old battery, whose prowess had illustrated well nigh every battle-field of the Army of Northern Virginia from Falling Waters in 1861 to Appomattox Courthouse in 1865. Among those present on this occasion were noted: Colonel McLaughlin, Colonel W. T. Poague, Sergeants S. C. Smith, D. E. Moore, J. E. McCauley, Corporals Willi
two objects in view: 1. To decorate the tomb of Lee, wherever that might be, and leaving the settlement of that question entirely to the Lee family— 2. To erect in Richmond a grand statue. This proposition, however, did not seem to meet with favor, and the Lexington Association has quietly pushed its own scheme to completion. The artist and his work. The Association had no hesitancy whatever in the selection of an artist to carry out their design. In the spring and summer of 1870 Mr. Edward V. Valentine, the distinguished Virginia sculptor, had modeled a bust of General Lee from life (the General giving him frequent sittings and even allowing him to make exact measurements of his person) which all pronounced a well nigh perfect likeness, and which competent artcriti-cism recognized as a very superior work of art. The committee, therefore, naturally turned to Mr. Valentine; and when Mrs. Lee was consulted she unhesitatingly expressed her preference for Valentine as the
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