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Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 17 (search)
of Geryones, with Hermes for his father. A fourth component part of the population was the army of Iolaus, consisting of Thespians and men from Attica, which put in at Sardinia and founded Olbia; by themselves the Athenians founded Ogryle, either in commemoration of one of their parishes in the home-land, or else because one Ogrylus himself took part in the expedition. Be this as it may, there are still today places in Sardinia called Iolaia, and Iolaus is worshipped by the inhabitants. When Troy was taken, among those Trojans who fled were those who escaped with Aeneas. A part of them, carried from their course by winds, reached Sardinia and intermarried with the Greeks already settled there. But the non-Greek element were prevented from coming to blows with the Greeks and Trojans, for the two enemies were evenly matched in all warlike equipment, while the river Thorsus, flowing between their territories, made both equally afraid to cross it. However, many years afterwards the Libyan
Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 25 (search)
's house to sleep,Nor yet to the place of talk, but you make long speeches here.Hom. Od. 18.328 Inside this building the whole of the painting on the right depicts Troy taken and the Greeks sailing away. On the ship of Menelaus they are preparing to put to sea. The ship is painted with children among the grown-up sailors; amidshipf Priam, even before reading the inscription. Near Helenus is Meges, who is wounded in the arm, as Lescheos of Pyrrha, son of Aeschylinus, describes in the Sack of Troy. For he says that he was wounded by Admetus, son of Augeias, in the battle that the Trojans fought in the night. Beside Meges is also painted Lycomedes the son of ng-race when the Epigoni, as they are called, held the second celebration of the Nemean games, that of Adrastus being the first. Lescheos says of Aethra that, when Troy was taken, she came stealthily to the Greek camp. She was recognized by the sons of Theseus, and Demophon asked for her from Agamemnon. He was ready to grant Demop
Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 26 (search)
Above the women between Aethra and Nestor are other captive women, Clymene, Creusa, Aristomache and Xenodice. Now Stesichorus, in the Sack of Troy, includes Clymene in the number of the captives; and similarly, in the Returns, he speaks of Aristomache as the daughter of Priam and the wife of Critolaus, son of Hicetaon. But I know of no poet, and of no prose-writer, who makes mention of Xenodice. About Creusa the story is told that the mother of the gods and Aphrodite rescued her from slavery among the Greeks, as she was, of course, the wife of Aeneas. But Lescheos and the writer of the epic poem Cypria make Eurydice the wife of Aeneas. Beyond these are painted on a couch Deinome, Metioche, Peisis and Cleodice. Deinome is the only one of these names to occur in what is called the Little Iliad; Polygnotus, I think, invented the names of the others. Epeius is painted naked; he is razing to the ground the Trojan wall. Above the wall rises the head only of the Wooden Horse. There is Pol
Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 27 (search)
n and Agenor. Lescheos says that Priam was not killed at the hearth of the Courtyard God, but that he was dragged away from the altar and fell an easy prey to Neoptolemus at the gate of his own palace. As to Hecuba, Stesichorus says in the Sack of Troy that she was brought by Apollo to Lycia. Lescheos says that Axion was a son of Priam, killed by Eurypylus, the son of Euaemon. According to the same poet Agenor was slain by Neoptolemus. So it would appear that Echeclus the son of Agenor was slaug upon a rock. By the latter stands Antenor, and next to him Crino, a daughter of Antenor. Crino is carrying a baby. The look upon their faces is that of those on whom a calamity has fallen. Servants are lading an ass with a chest and other furniture. There is also sitting on the ass a small child. At this part of the painting there is also an elegiac couplet of SimonidesPolygnotus, a Thasian by birth, son of Aglaophon,Painted a picture of Troy's citadel being sacked.Simonides, unknown location.
Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 30 (search)
ought,Hom. Od. 10.510 black poplars and willows. The appearance of Orpheus is Greek, and neither his garb nor his head-gear is Thracian. On the other side of the willow-tree Promedon is leaning against it. Some there are who think that the name Promedon is as it were a poetic invention of Polygnotus; others have said that Promedon was a Greek who was fond of listening to all kinds of music, especially to the singing of Orpheus. In this part of the painting is Schedius, who led the Phocians to Troy, and after him is Pelias, sitting on a chair, with grey hair and grey beard, and looking at Orpheus. Schedius holds a dagger and is crowned with grass. Thamyris is sitting near Pelias. He has lost the sight of his eyes; his attitude is one of utter dejection; his hair and beard are long; at his feet lies thrown a lyre with its horns and strings broken. Above him is Marsyas, sitting on a rock, and by his side is Olympus, with the appearance of a boy in the bloom of youth learning to play the f
Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 31 (search)
n, and sweep all that part of the tomb that is bare of trees or grass, and sprinkle it with the water of the Aesepus from their wet wings. Beside Memnon is depicted a naked Ethiopian boy, because Memnon was king of the Ethiopian nation. He came to Troy, however, not from Ethiopia, but from Susa in Persia and from the river Choaspes, having subdued all the peoples that lived between these and Troy. The Phrygians still point out the road through which he led his army, picking out the shortest routTroy. The Phrygians still point out the road through which he led his army, picking out the shortest routes. The road is divided up by halting-places.With the suggested emendations: “is cut through the mountains” or “is cut through the territory of the people of Meros.” Beyond Sarpedon and Memnon is Paris, as yet beardless. He is clapping his hands like a boor, and you will say that it is as though Paris were calling Penthesileia to him by the noise of his hands. Penthesileia too is there, looking at Paris, but by the toss of her head she seems to show her disdain and contempt. In appearance Pent
Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 33 (search)
r weakness had abandoned the city, and the dwellers on the Cephisus were about seventy people. Still the name of Ledon is given to their dwellings, and the citizens, like the Panopeans, have the right to be represented at the general assembly of the Phocians. The ruins of the ancient Ledon are forty stades farther up from these dwellers on the Cephisus. They say that the city took its name from an aboriginal. Other cities have incurred incurable harm through the sin of their own citizens, hut Troy's ruin was complete when it fell through the outrage that Alexander committed against Menelaus, and Miletus through the lack of control shown by Histiaeus, and his passionate desire, now to possess the city in the land of the Edonians, now to be admitted to the councils of Dareius, and now to go back to Ionia. Again, Philomelus brought on the community of Ledon the punishment to be paid for the crime of his own impiety. Lilaea is a winter day's journey distant from Delphi; we estimated the le
Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 36 (search)
ing figure, with one foot resting on a dolphin. On this side he has one hand upon his thigh; in his other hand is a trident. Opposite the gymnasium, in which the baths have been made, is another gymnasium, an old one, in which stands a bronze statue. The inscription on it says that Xenodamus of Anticyra, a pancratiast, won an Olympic victory in the match for men. If the inscription speaks the truth, it would seem that Xenodamus received the wild olive at the two hundred and eleventh Olympic festival.67 A.D But this is the only festival omitted in the Elean records. Beyond the market-place there is in a well a spring of water. Over the well there is a roof to shelter it from the sun, with columns to support the roof. A little higher up than the well is a tomb built of any stones that came to hand. Here they say are buried the sons of Iphitus; one returned safe from Troy and died in his native land; the other, Schedius, died, they say, in the Troad, but his bones also were brought home.
Pausanias, Description of Greece, Phocis and Ozolian Locri, chapter 38 (search)
people went away to Amphissa. Originally, however, they came of Locrian race. It is said that the name of the city is derived from Amphissa, daughter of Macar, son of Aeolus, and that Apollo was her lover. The city is beautifully constructed, and its most notable objects are the tomb of Amphissa and the tomb of Andraemon. With him was buried, they say, his wife Gorge, daughter of Oeneus. On the citadel of Amphissa is a temple of Athena, with a standing image of bronze, brought, they say, from Troy by Thoas, being part of the spoils of that city. But I cannot accept the story. For I have stated in an earlier part of my workPaus. 8.14.8 that two Samians, Rhoecus, son of Philaeus, and Theodorus, son of Telecles, discovered how to found bronze most perfectly, and were the first casters of that metal. I have found extant no work of Theodorus, at least no work of bronze. But in the sanctuary of Ephesian Artemis, as you enter the building containing the pictures, there is a stone wall above t
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