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” These then are the sources of epideictic exordia—praise, blame, exhortation, dissuasion, appeals to the hearer. And these exordia2 may be either foreign or intimately connected with the speech.
1 Of Samos, epic poet, author of a poem on the Persian war, from which this half-line and the context preserved in the Scholiast are taken. He complains that whereas the poets of olden times had plenty to write about, the field of poetry being as yet untilled, it was now all apportioned, and he, the last of the poets, was left behind, unable to find “a new chariot for the race-course of his song. ”
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