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[669a] and shapes,—is it at once inevitable that the person who knows this can easily discern also whether the work is beautiful, or wherein it is deficient in beauty?

If that were so, Stranger, practically all of us would know what animals are beautiful.

You are quite right. In regard, then, to every representation—whether in painting, music or any other art—must not the judicious critic possess these three requisites:

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