SCENE VJuliet's chamber.
Mistress! what, mistress! Juliet! fast, I warrant her, she:
Why, lamb! why, lady! fie, you slug-a-bed!
Why, love, I say! madam! sweet-heart! why, bride!
What, not a word? you take your pennyworths now;
Sleep for a week; for the next night, I warrant,
The County Paris hath set up his rest,
That you shall rest but little. God forgive me,
Marry, and amen, how sound is she asleep!
I must needs wake her. Madam, madam, madam! (10)
Ay, let the county take you in your bed:
He'll fright you up, i' faith. Will it not be? Undraws the curtains.
What, dress'd! and in your clothes! and down again!
I must needs wake you: Lady! lady! lady!
Alas, alas! Help, help! my lady's dead!
O, well-a-day, that ever I was born!
Some aqua vita, ho! My lord! my lady! Enter LADY CAPULET.
What noise is here?
O lamentable day!
What is the matter?
Look, look! O heavy day!
O me, O me! My child, my only life, (20)
Revive, look up, or I will die with thee!
Help, help! Call help. Enter CAPULET.
For shame, bring Juliet forth; her lord is come.
She's dead, deceased, she's dead; alack the day!
Alack the day, she's dead, she's dead, she's dead!
Ha! let me see her: out, alas! she's cold;
Her blood is settled, and her joints are stiff;
Life and these lips have long been separated:
Death lies on her like an untimely frost
Upon the sweetest flower of all the field.
O lamentable day! (30)
O woful time!
Death, that hath ta'en her hence to make me wail,
Ties up my tongue, and will not let me speak. Enter FRIAR LAURENCE and PARIS, with Musicians.
Come, is the bride ready to go to church?
Ready to go, but never to return.
O son! the night before thy wedding-day
Hath Death lain with thy wife. There she lies,
Flower as she was, deflowered by him.
Death is my son-in-law, Death is my heir;
My daughter he hath wedded: I will die,
And leave him all; life, living, all is Death's. (41)
Have I thought long to see this morning's face,
And doth it give me such a sight as this?
Accursed, unhappy, wretched, hateful day!
Most miserable hour that e'er time saw
In lasting labour of his pilgrimage!
But one, poor one, one poor and loving child,
But one thing to rejoice and solace in,
And cruel death hath catch'd it from my sight!
O woe! O woful, woful, woful day! (50)
Most lamentable day, most woful day,
That ever, ever, I did yet behold!
O day! O day! O day! O hateful day!
Never was seen so black a day as this:
O woful day, O woful day!
Beguiled, divorced, wronged, spited, slain!
Most detestable death, by thee beguiled,
By cruel cruel thee quite overthrown!
O love! O life! not life, but love in death!
Despised, distressed, hated, martyr'd, kill'd! (60)
Uncomfortable time, why camest thou now
To murder, murder our solemnity?
O child! O child! my soul, and not my child!
Dead art thou! Alack! my child is dead;
And with my child my joys are buried.
Peace, ho, for shame! confusion's cure lives not
In these confusions. Heaven and yourself
Had part in this fair maid; now heaven hath all,
And all the better is it for the maid:
Your part in her you could not keep from death, (70)
But heaven keeps his part in eternal life.
The most you sought was her promotion;
For 'twas your heaven she should be advanced:
And weep ye now, seeing she is advanced
Above the clouds, as high as heaven itself?
O, in this love, you love your child so ill,
That you run mad, seeing that she is well:
She's not well married that lives married long;
But she's best married that dies married young.
Dry up your tears, and stick your rosemary (80)
On this fair corse; and, as the custom is,
In all her best array bear her to church:
For though fond nature bids us all lament,
Yet nature's tears are reason's merriment.
All things that we ordained festival,
Turn from their office to black funeral;
Our instruments to melancholy bells,
Our wedding cheer to a sad burial feast,
Our solemn hymns to sullen dirges change,
Our bridal flowers serve for a buried corse, (90)
And all things change them to the contrary.
Sir, go you in; and, madam, go with him;
And go, Sir Paris; every one prepare
To follow this fair corse unto her grave:
The heavens do lour upon you for some ill;
Move them no more by crossing their high will. Exeunt Capulet, Lady Capulet,
Paris, and Friar.
Faith, we may put up our pipes, and be gone.
Honest good fellows, ah, put up, put up;
For, well you know, this is a pitiful case. Exit.
Ay, by my troth, the case may
be amended. Enter PETER.
Musicians, O, musicians, 'Heart's
ease, Heart's ease:' O, an you will have me
live, play 'Heart's ease.'
Why 'Heart's ease'?
O, musicians, because my heart itself
plays 'My heart is full of woe:' O, play me
some merry dump, to comfort me.
Not a dump we; 'tis no time to
You will not, then?
I will then give it you soundly.
What will you give us?
No money, on my faith, but the gleek;
I will give you the minstrel.
Then will I give you the
Then will I lay the serving-creature's
dagger on your pate. I will carry no
crotchets: I'll re you, I'll fa you; do you
An you re us and fa us, you
Pray you, put up your dagger,
and put out your wit.
Then have at you with my wit! I will
dry-beat you with an iron wit, and put up my
iron dagger. Answer me like men:
'When griping grief the heart doth wound,
And doleful dumps the mind oppress, (130)
Then music with her silver sound'--
why 'silver sound'? why 'music with her
silver sound'? What say you, Simon Catling?
Marry, sir, because silver hath
a sweet sound.
Pretty! what say you, Hugh Rebeck?
I say 'silver sound,' because
musicians sound for silver.
Pretty too! What say you, James (139)
Faith, I know not what to say.
O, I cry you mercy; you are the
singer: I will say for you. It is 'music with
her silver sound,' because musicians have no
gold for sounding:
'Then music with her silver sound
With speedy help doth lend redress.' Exit.
What a pestilent knave is this
Hang him, Jack! Come, we'll
in here; tarry for the mourners, and stay