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Spirit Walker (Crit. i, 201) includes this ‘Spirit’ in his list of numerous passages ‘in which the disyllabic pronunciation of spirit renders a line positively unmetrical or inharmonious to a degree beyond what the poet's ear could possibly have tolerated.’ [From childhood we have been so accustomed to regard sprite as the name of a goblin, that its introduction in a solemn line like the present could hardly fail to have a jarring effect, for which metrical smoothness would be hardly a sufficient compensation.—Ed.]

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