two vases (nos. 19 and 32) in which the onslaught is not represented, but shown to be imminent by the arrival of the Thracian women. It includes also, of course, several single figures of Thracian women which are 'extracts' from a Death of Orpheus. Publications are not referred to unless the vase is not mentioned in ARV., or has been published since.
- (Attic red-figure)
- 1. Vatican, squat lekythos by the Brygos Painter, late (ARV. p. 256 no. 168).
- 2. New York 96.9.37, cup by the Brygos Painter, late (ARV. p. 253 no. 117).
- 3. Athens, Acr. 297, cup in the manner of the Brygos Painter, by the Castelgiorgio Painter (ARV. p. 258 no. 5). New fragments, identified by Mrs. Karouzou, BCH. 1947-8 p. 425 and pl. 64.
- 4. Adria B 496, cup by the Briseis Painter (ARV. p. 268 no. 33).
- 5. Villa Giulia, cup-fragment. See CF. p. 34 no. 23. A (arm extended to r., in cloak, of a woman; part of a woman, head to left, probably moving to right, her right arm, which is tattooed, extended to left with a stone in the hand).
- 6. Heidelberg 44, fragment of a cup. Kraiker pl. 7. Belongs to the last?
- 7. Stockholm 1700, lekythos by the Troilos Painter (ARV. p. 191 no. 17 and p. 954).
- 8. Roman market (Basseggio), stamnos in the manner of the Berlin Painter, late (ARV. p. 145, k).
- 9. Palermo, lekythos by the Providence Painter (ARV. p. 435 no. 76). Woman (peplos, overfall, cloak, tattooed) running to right, left arm extended, sword in right hand.
- 10. London E 301, Nolan amphora by the Oionokles Painter (ARV. p. 438 no. 11).
- 11. New York 46.129.11, lekythos: the vase is from the workshop of the Bowdoin Painter, the drawing is not very far from his style. Woman running to right, a spit in her right hand, a cloak on her extended left arm.
- 12. Louvre L 52, lekythos by the Icarus Painter (ARV. p. 482 no. 14). Woman running to right, tattooed, spear (or spit?) in right hand, left arm extended in a thick patterned cloak.
- 13. Munich 2378, column-krater by the Pan Painter (ARV. p. 362 no. 7).
- 14. Louvre G 416, stamnos by Hermonax (ARV. p. 317 no. 12).
- 15. Oxford, Beazley, Nolan amphora by Hermonax (ARV. p. 320 no. 49 bis). AJA 1945 pl. 53. The woman's arms were tattooed with chevrons, but the tattooing, though antique, disappeared when the vase was cleaned.
- 16. Athens, Acr. 439, white cup by the Pistoxenos Painter (ARV. p. 575 no. 2). For a new fragment see Karouzou in BCH. 1940-1 p. 233.
- 17. Ferrara, column-krater by the Florence Painter, late (ARV. p. 341 no. 5). A: 1, woman running to right, left arm extended in cloak; 2, Orpheus (chitoniskos, tiara, boots), to right, looking round, falling, holding up his lyre; 3, woman (tattooed) to right, looking round, with rock; 4, girl to left holding a pestle with both hands.
- 18. London E 252.2, fragment (of a column-krater, stamnos, or volute-krater), Mannerist Group, recalling the Agrigento Painter (ARV. p. 400 no. 93).
- 19. Paris, Petit Palais, 319, hydria, Mannerist Group, by the Painter of Tarquinia 707 (ARV. p. 389, middle, no. 5, and below, no. 4). CV. pl. 18, 2-6.
- 20. Würzburg 534, hydria, Mannerist Group (ARV. p. 399 no. 78).
- 21. Boston 90.156, hydria by the Niobid Painter.
- 22. Vatican, neck-amphora by the Painter of the Berlin Hydria (ARV. p. 429 no. 6).
- 23. Boston 13.202, lekythos in the manner of the Achilles Painter, close to his early work (ARV. p. 646 no. 15: pl. 22, 49 and pl. 26, 49).
- 24. Naples 3114, Nolan amphora in the manner of the Sabouroff Painter (ARV. p. 565, ii no. 2).
- 25. Louvre G 436, Nolan amphora by the Phiale Painter (ARV. p. 653 no. 1).
- 26. Munich 2330, Nolan amphora by the Phiale Painter (ARV. p. 653 no. 2: replica of the last). CV. pl. 62, 2 and pl. 63, 4 and 6.
- 27. Lost. Tischbein 5 pl. 113. A, a woman running with a spit in her right hand. I take this to be an extract from a Death of Orpheus, and the youth with the flute-