ἀραχθέντων. So “ἀράσσω” is used of Oed. striking his eyes with the “περόναι” (O. T. 1276). ὑπό with dat. of the instrument, as in the epic “ὑπὸ χερσὶ δαμῆναι”, O. T. 202 “ὑπὸ σῷ φθίσον κεραυνῷ”.
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Sophocles: The Plays and Fragments, with critical notes, commentary, and translation in English prose. Part III: The Antigone. Sir Richard C. Jebb. Cambridge. Cambridge University Press. 1900.
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