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Καμαριναῖοι—see on c. 33.1, as also for Γελῷοι. Ἀκραγαντίνων—Girgenti, ‘the fairest of mortal cities’ (Pind. Pyth. XII. 1), remained neutral throughout. Cf. on c. 32.1. The life of Empedocles of Acragas, 484-424, about covers the greatest period in the history of Sicilian art. ἐν τῷ ἐπ᾽ ἐκεῖνα = μετ᾽ αὐτοὺς above.
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