The tact of Lysias.
Foremost among such qualities is tact. One of its special manifestations is quick sympathy with the character of the speaker; another is perception of the style in which a certain subject should be treated or a certain class of hearers addressed. Both these have already been noticed. But, above and beyond these, there is a certain sureness in the whole conduct of a case, a certain remoteness from liability to blunder, which is the most general indication of the tact of Lysias. Among his genuine extant speeches there is only one which perhaps in some degree offers an exception to the rule;—the speech against Evandros1
. In the case of the speech against Andokides, the conspicuous absence of a fine discretion is one of the most conclusive proofs that Lysias was not the author2
. In relation to treatment, this tact is precisely what the ‘charm’ praised by Dionysios is in relation to language; it is that quality, the presence or absence of which is the best general criterion of what Lysias did or did not write.