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δόξαν ὀρθήν. See IV 430 B note οὔτε -- πονηρίαν. The word εἰκασία, though not here used, represents the Imitator's state of mind: see on VI 511 E and App. I to Book VII. ὁ ἐν τῇ ποιήσει μιμητικός. Stallbaum remarks “cave unam poesim intelli gas”: but ποίησις is certainly ‘poetry’ and nothing else, as Schneider shews, throughout the whole of this episode. It is poetical μίμησις with which the discussion is primarily and chiefly concerned: hence this passing exclamation —for it is nothing more: witness the asyndeton. With χαρίεις (ironical, of course) followed by οὐ πάνυ, in which the irony disappears, cf. IV 426 A, B (J. and C.). <οὔκουν> χαρίεις (Richards) is an unnecessary conjecture. The reading μιμήσει for ποιήσει (q and some other MSS) is tautological and absurd.
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