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 thought, and when sets of the “Modern British Essayists” had taken the place in young men's libraries of the “British Essayists” of Addison's period. The result was a well-bred, clearly written, somewhat prosaic style common to both nations, but practically brought to an end by Carlyle with his impetuous vigor and by what Holmes called “the Macaulay-flowers” of literature. These influences in England, with the rise of Emerson and Parker in America, brought a distinct change, and Lowell eminently contributed his share when Professor Bowen, editing the North American, complained of his articles as being “too brilliant.” Since that day authors have been allowed to be as brilliant as they can, in all periodicals, although they have not uniformly availed themselves of this privilege.
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