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 which Melville plainly declared it was not1; but it contains, nevertheless, the semblance of a conflict between the ancient and scatheless forces of nature and the ineluctable enmity of man. This is the theme, but description can hardly report the extraordinary mixture in Moby Dick of vivid adventure, minute detail, cloudy symbolism, thrilling pictures of the sea in every mood, sly mirth and cosmic ironies, real and incredible characters, wit, speculation, humour, colour. The style is mannered but often felicitous; though the book is long, the end, after every faculty of suspense has been aroused, is swift and final. Too irregular, too bizarre, perhaps, ever to win the widest suffrage, the immense originality of Moby Dick must warrant the claim of its admirers that it belongs with the greatest sea romances in the whole literature of the world. Married in 1847, Melville lived for three years in New York and then for thirteen years in a farmhouse near Pittsfield, Massachusetts. Although he did not cease to write at once, Moby Dick seems to have exhausted him. Pierre (1852) is hopelessly frantic; Israel Potter (1855) is not markedly original; neither are The Piazza tales (1856), and The confidence man (1857). The verses which he wrote in his later years, his sole output, are in a few instances happy, but far more often jagged and harsh. Whatever the causes of his loss of power, he fretted under it and grew more metaphysical, tortured, according to Hawthorne, his good friend, by uncertainty as to a future life. That way, for Melville, was madness; his earlier works should have taught him that he was lost without a solid basis in fact. He moved restlessly about, lecturing on the South Seas during the years 1857-1860 in many cities of the United States and Canada. He visited Europe and Palestine. Finally, having returned to New York, he was appointed to a place in the Custom House in 1866, and served there for twenty years, living a private life of almost entire, though voluntary and studious, seclusion. His death, 28 September, 1891, after nearly forty silent years, removed from American literature one of its most promising and most disappointing figures. Of late his fame has shown a tendency to revive. Another type of romance which had some vogue during the
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