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 had denied the communal efficacy, so to speak, of rites, but had insisted on inner conformity with an established creed. Emerson disavowed even a conformity in faith, demanding in its stead the entire liberty of each soul to rise on its own spiritual impulse. He was perspicacious and honest enough to acknowledge to himself the danger of such a stand. “I know very well,” he wrote in his journal at the time of his decision, “that it is a bad sign in a man to be too conscientious, and stick at gnats. The most desperate scoundrels have been the over-refiners. Without accommodation society is impracticable.” But, he adds, he could “not go habitually to an institution which they esteem holiest with indifference and dislike” ; and again, looking deeper into his heart, “This is the end of my opposition, that I am not interested in it.” Emerson's act of renunciation was not only important as determining the nature of his career, but significant also of the transition of New England from theological dogmatism to romantic liberty. Much has been written about the influences that shaped his thoughts and about the relation of his transcendentalism to German metaphysics. In his later years it is clear that the speculations of Kant and Schelling and Fichte were known to him and occasionally coloured his language, but his Journals prove conclusively enough that the whole stamp of his mind was taken before these sources were open to him. Indirectly, no doubt, something of the German spirit came to him pretty early through Carlyle, and a passage in his Journal for 13 December, 1829, shows that he was at that time already deeply engaged in the Teutonized rhapsodies of Coleridge. But it would be easy to lay too much stress even on this indirect affiliation. Long before that date, as early as his senior year in college, he is yearning “to separate the soul for sublime contemplation till it has lost the sense of circumstances,” and otherwise giving implicit expression to the full circle of transcendental faith. He was in fact a product of the great romantic movement that was sweeping over the world as it listed; his ideas, so far as they came to him from books, go back mainly to the Greek philosophers and the poets and preachers of seventeenth-century England, as these were interpreted under the light of the new movement. When he
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