This text is part of:
Table of Contents:
 appeared I January, 1833, with Charles Fenno Hoffman1 as editor. Bryant, Paulding, and Sands contributed to the first number. Hoffman was soon succeeded in the editorship by Timothy Flint2 and Samuel Daly Langtree, and in April, 1834, the magazine passed into the control of Lewis Gaylord Clark,3 who continued in the editorship until The Knickerbocker was abandoned in 1859. Clark's own writings in the ‘Editor's Table’ department show little of the literary skill, taste, and knowledge which have characterized similar work by other editors of American magazines, but in spite of his apparent deficiencies he secured for many years the co-operation of the best writers of the country, and conducted what was in many ways the best general literary magazine. The Knickerbocker Gallery, an elaborate gift book published for the benefit of the editor in 1855, and made up of brief poems and essays donated by contributors to the magazine, contained pieces by Washington Irving, William Cullen Bryant, Henry Wadsworth Longfellow, Oliver Wendell Holmes, James Russell Lowell, N. P. Willis, Fitz-Greene Halleck, Donald Grant Mitchell, George H. Boker, Bayard Taylor, T. W. Parsons, Epes Sargent, J. G. Saxe, James T. Fields, Charles Godfrey Leland, George William Curtis, Park Benjamin, Rufus W. Griswold, Richard Henry Stoddard, C. F. Briggs, and many more; and among other contributors of the early time were Miss Sedgwick, James Gates Percival, Richard Henry Wilde, Mrs. Sigourney, William Gilmore Simms, J. G. Whittier, Horace Greeley, and James Fenimore Cooper. The importance of The Knickerbocker magazine may be judged by this list of names; yet in dignity of tone and especially in the quality of its humour it was somewhat below the standard of several of its successors. New York, like Boston, saw many ambitious attempts at literary periodicals. Only the special student of bibliography and literary biography will follow in detail the amalgamations and kaleidoscopic changes of such ventures as The Atlantic Magazine, The New York Review and Athenaeum Magazine, and The New York literary Gazette, even though the names of Bryant and Sands appear among the editors, and Halleck,
This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 United States License.
An XML version of this text is available for download, with the additional restriction that you offer Perseus any modifications you make. Perseus provides credit for all accepted changes, storing new additions in a versioning system.