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[194] With that the other likewise up arose,
And her fair locks, which formerly were bound
Up in one knot, she low adown did loose,
Which flowing long and thick her clothed around,
And the ivory in golden mantle gowned:
So that fair spectacle from him was reft,
Yet that which reft it no less fair was found;
So hid in locks and waves from lookers' theft,
Naught but her lovely face she for his looking left.

Withal she laughed, and she blushed withal,
That blushing to her laughter gave more grace,
And laughter to her blushing, as did fall.

Eftsoones they heard a most melodious sound,
Of all that mote delight a dainty ear,
Such as at once might not on living ground,
Save in this paradise, be heard elsewhere:
Right hard it was for wight which did it hear
To read what manner music that mote be;
For all that pleasing is to living ear
Was there consorted in one harmony;
Birds, voices, instruments, winds, waters, all agree.

The joyous birds, shrouded in cheerful shade,
Their notes unto the voice attempered sweet;
The angelical soft trembling voices made
To the instruments divine respondence mete;
The silver-sounding instruments did meet
With the base murmur of the water's fall;
The water's fall with difference discreet,
Now soft, now loud, unto the wind did call;
The gentle warbling wind low answered to all.

Spenser, in one of his letters to Harvey, had said, ‘Why, a God's name, may not we, as else the Greeks, have the kingdom of our own language?’ This is in the tone of Bellay, as is also a great deal of what is said in the epistle prefixed to the ‘Shepherd's Calendar.’ He would have been wiser had he followed more closely Bellay's advice about the introduction of novel words: ‘Fear not, then, to innovate somewhat, particularly in a long poem, with modesty, however, with analogy, and ’

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