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[233] indifferent.1 Nearly the same date may be ascribed to a rhymed translation of the first three books of the Aeneid, a specimen of which was printed in the Cambridge ‘Philological Museum’ (1832). In 1819 ‘Peter Bell,’ written twenty years before, was published, and, perhaps in consequence of the ridicule of the reviewers, found a more rapid sale than any of his previous volumes. ‘The Wagoner,’ printed in the same year, was less successful. His next publication was the volume of Sonnets on the river Duddon, with some miscellaneous poems, 1820. A tour on the Continent in 1820 furnished the subjects for another collection, published in 1822. This was followed in the same year by the volume of ‘Ecclesiastical Sketches.’ His subsequent publications were ‘Yarrow Revisited,’ 1835, and the tragedy of ‘The Borderers,’ 1842.

During all these years his fame was increasing slowly but steadily, and his age gathered to itself the reverence and the troops of friends which his poems and the nobly simple life reflected in them deserved. Public honors followed private appreciation. In 1838 the University of Dublin conferred upon him the degree of D. C. L. In 1839 Oxford did the same, and the reception of the poet (now in his seventieth year) at the University was enthusiastic. In 1842 he resigned his office of StampDis-tributor, and Sir Robert Peel had the honor of putting him upon the civil list for a pension of £ 300. In 1843 he was appointed Laureate, with the express understanding that it was a tribute of respect, involving no duties except such as might be self-imposed. His only official production was an Ode for the installation of Prince Albert as Chancellor of the University of Cambridge. His life was prolonged yet seven years, almost, it should


I am not one who much or oft delight
In personal talk.

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