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[301] the cast-iron man, grows pliable as a field of grain at the breath of Beatrice, and flows away in waves of sunshine. But Milton never let himself go for a moment. As other poets are possessed by their theme, so is he self-possessed, his great theme being John Milton, and his great duty that of interpreter between him and the world. I say it with all respect, for he was well worthy translation, and it is out of Hebrew that the version is made. Pope says he makes God the Father reason ‘like a school-divine.’ The criticism is witty, but inaccurate. He makes Deity a mouthpiece for his present theology, and had the poem been written a few years later, the Almighty would have become more heterodox. Since Dante, no one had stood on these visiting terms with heaven.

Now it is precisely this audacity of self-reliance, I suspect, which goes far toward making the sublime, and which, falling by a hair's-breadth short thereof, makes the ridiculous. Puritanism showed both the strength and weakness of its prophetic nurture; enough of the latter to be scoffed out of England by the very men it had conquered in the field, enough of the former to intrench itself in three or four immortal memories. It has left an abiding mark in politics and religion, but its great monuments are the prose of Bunyan and the verse of Milton. It is a high inspiration to be the neighbor of great events; to have been a partaker in them and to have seen noble purposes by their own self-confidence become the very means of ignoble ends, if it do not wholly depress, may kindle a passion of regret deepening the song which dares not tell the reason of its sorrow. The grand loneliness of Milton in his latter years, while it makes him the most impressive figure in our literary history, is reflected also in his maturer poems by a sublime independence of human sympathy

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