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In Cervantes, I found far less productive talent,— indeed, a far less powerful genius,—but the same wide wisdom, a discernment piercing the shows and symbols of existence, yet rejoicing in them all, both for their own life, and as signs of the unseen reality. Not that Cervantes philosophized,—his genius was too deeply philosophical for that; he took things as they came before him, and saw their actual relations and bearings. Thus the work he produced was of deep meaning, though he might never have expressed that meaning to himself. It was left implied in the whole. A Coleridge comes and calls Don Quixote the pure Reason, and Sancho the Understanding. Cervantes made no such distinctions in his own mind; but he had seen and suffered enough to bring out all his faculties, and to make him comprehend the higher as well as the lower part of our nature. Sancho is too amusing and sagacious to be contemptible; the Don too noble and clear-sighted towards absolute truth, to be ridiculous. And we are pleased to see manifested in this way, how the lower must follow and serve the higher, despite its jeering mistrust and the stubborn realities which break up the plans of this pure-minded champion.

The effect produced on the mind is nowise that described by Byron:—

Cervantes smiled Spain's chivalry away, &c.

On the contrary, who is not conscious of a sincere reverence for the Don, prancing forth on his gaunt steed? Who would not rather be he than any of the persons who laugh at him?—Yet the one we would wish to

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