and answering eyes, to bring out all her power. She must have her auditory about her. Her conversation, as it was then, I have seldom heard equalled. It was not so much attractive as commanding. Though remarkably fluent and select, it was neither fluency, nor choice diction, nor wit, nor sentiment, that gave it its peculiar power, but accuracy of statement, keen discrimination, and a certain weight of judgment, which contrasted strongly and charmingly with the youth and sex of the speaker. I do not remember that the vulgar charge of talking “like a book” was ever fastened upon her, although, by her precision, she might seem to have incurred it. The fact was, her speech, though finished and true as the most deliberate rhetoric of the pen, had always an air of spontaneity which made it seem the grace of the moment,—the result of some organic provision that made finished sentences as natural to her as blundering and hesitation are to most of us. With a little more imagination, she would have made an excellent improvisatrice. Here let me say a word respecting the character of Margaret's mind. It was what in woman is generally called a masculine mind; that is, its action was determined by ideas rather than by sentiments. And yet, with this masculine trait, she combined a woman's appreciation of the beautiful in sentiment and the beautiful in action. Her intellect was rather solid than graceful, yet no one was more alive to grace. She was no artist,—she would never have written an epic, or romance, or drama,— yet no one knew better the qualities which go to the making of these; and though catholic as to kind, no one was more rigorously exacting as to quality. Nothing short of the best in each kind would content her.
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