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 and announce a better day. She poured a stream of amber over the endless store of private anecdotes, of bosom histories, which her wonderful persuasion drew forth, and transfigured them into fine fables. Whilst she embellished the moment, her conversation had the merit of being solid and true. She put her whole character into it, and had the power to inspire. The companion was made a thinker, and went away quite other than he came. The circle of friends who sat with her were not allowed to remain spectators or players, but she converted them into heroes, if she could. The muse woke the muses, and the day grew bright and eventful. Of course, there must be, in a person of such sincerity, much variety of aspect, according to the character of her company. Only, in Margaret's case, there is almost an agreement in the testimony to an invariable power over the minds of all. I conversed lately with a gentleman who has vivid remembrances of his interviews with her in Boston, many years ago, who described her in these terms:—‘No one ever came so near. Her mood applied itself to the mood of her companion, point to point, in the most limber, sinuous, vital way, and drew out the most extraordinary narratives; yet she had a light sort of laugh, when all was said, as if she thought she could live over that revelation. And this sufficient sympathy she had for all persons indifferently,—for lovers, for artists, and beautiful maids, and ambitious young statesmen, and for old aunts, and coach-travellers. Ah! she applied herself to the mood of her companion, as the sponge applies itself to water.’ The description tallies well enough with my observation. I remember she found, one day, at my house, her old friend Mr.——, sitting with me. She looked at him attentively, and
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