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Scattered all over his editorials, like gems, are to be found beautiful images, sweet touches of heartfelt pathos,—thoughts which the reader pauses over with surprise and delight. We subjoin a few specimens, taken almost at random from the book before us:—

‘A thunder-storm,—what can match it for eloquence and poetry? That rush from heaven of the big drops, in what multitude and succession, and how they sound as they strike! How they play on the old home roof and the thick tree-tops! What music to go to sleep by, to the tired boy, as he lies under the naked roof! And the great, low bass thunder, as it rolls off over the hills, and settles down behind them to the very centre, and you can feel the old earth jar under your feet!’

‘There was no oratory in the speech of the Learned Blacksmith, in the ordinary sense of that word, no grace of elocution, but mighty thoughts radiating off from his heated mind, like sparks from the glowing steel of his own anvil.’

‘The hard hands of Irish labor, with nothing in them,—they ring like slabs of marble together, in response to the wild appeals of O'Connell, and the British stand conquered before them, with shouldered arms. Ireland is on her feet, with nothing in her hands, impregnable, unassailable, in utter defenselessness,—the first time that ever a nation sprung to its feet unarmed. The veterans of England behold them, and forbear to fire. They see no mark. It will not do to fire upon men; it will do only to fire upon soldiers. They are the proper mark of the murderous gun, but men cannot be shot.’

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