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[79] had written in his ‘Angler's Song’ six years before,—

Upward speeds the morning lark
To its silver cloud.]

We would not restrict our poets in the choice of their subjects, or the scenes of their story; but when they sing under an American sky, and describe a native landscape, let the description be graphic, as if it had been seen and not imagined. We wish, too, to see the figures and imagery of poetry a little more characteristic, as if drawn from nature and not from books. Of this we have constantly recurring examples in the language of our North American Indians. Our readers will all recollect the last words of Pushmataha, the Choctaw chief, who died at Washington in the year 1824: ‘I shall die, but you will return to your brethren. As you go along the paths, you will see the flowers and hear the birds; but Pushmataha will see them and hear them no more. When you come to your home, they will ask you, where is Pushmataha? and you will say to them, He is no more. They will hear the tidings like the sound of the fall of a mighty oak in the stillness of the wood. More attention on the part of our writers to these particulars would give a new and delightful expression to the face of our poetry. But the difficulty is, that instead of coming forward ’

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