indebted for portrayal of views prior to 1850, to the photographer with his cumbrous camera, with difficulty transported, for those of the next fifty years; and all these required the aid of a middleman, the engraver (sculptor
) before the printer could exercise his ‘art-preservative.’
For the past twenty years, with the popularization of the camera, the snapshot of the amateur might secure invaluable evidence and be quickly reproduced in the daily paper.
Effort should be made for the preservation of such as are worthy, for the libraries, the schools, and wherever information is disseminated, remembering that the present
day is of the past
tomorrow, and ancient history later on.
We are aware that some of the views alluded to in this article are very rare, especially those of the Brooks
history, and wish that every reader of this might examine them at the Public Library
, as also the later ones of Usher
Without doing so, we fear such will, like some early artists, ‘draw on their imagination’ to know how the old
Story of a Bible
We are presenting in this issue the portrait of a man who was (if not a citizen) a resident of Medford
for well toward seven decades ago, and who is still living in our neighboring city of Malden
Rev. Edward Stuart Best
, Methodist Episcopal clergyman, began his ministry in 1851, serving one year each in three western Massachusetts
towns, and one in the nearer town of Swampscott
At the annual conference of his church, April, 1855, his appointment was to Medford
Prior to that time, one year's service in a place was the rule of his church.
But a change in polity had occurred and he served the Medford church
and people to the new time limit of two years. His