[61]
But it is now high time for me to explain what I
mean by appropriate delivery. Such appropriateness
obviously lies in the adaptation of the delivery to
the subjects on which we are speaking. This quality
is, in the main, supplied by the emotions themselves,
and the voice will ring as passion strikes its chords.
But there is a difference between true emotion on
the one hand, and false and fictitious emotion on
the other. The former breaks out naturally, as in
the case of grief, anger or indignation, but lacks
art, and therefore requires to be formed by methodical
training.
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