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SILENCE following this discourse, Diogenianus began and said: Since our discourse is about the Gods, shall we, especially on his own birthday, admit Plato to the conference, and enquire upon what account he says (supposing it to be his sentence) that God always plays the geometer? I said that this sentence was not plainly set down in any of his books; yet there are good arguments that it is his, and it is very much like his expression. Tyndares presently subjoining said: Perhaps, Diogenianus, you imagine that this sentence intimates some curious and difficult speculation, and not that which he hath so often mentioned, when he praiseth geometry as a science that takes off men from sensible objects, and makes them apply themselves to the intelligible and eternal Nature, the contemplation of which is the end of philosophy, as a view of the mysteries of initiation into holy rites. For the nail of pain and pleasure, that fastens the soul to the body, seems to do us the greatest mischief, by making sensible things more powerful over us than intelligible, and by forcing the understanding [p. 403] to determine rather according to passion than reason. For the understanding, being accustomed by the vehemency of pain or pleasure to be intent on the mutable and uncertain body, as if it really and truly were, grows blind as to that which really is, and loses that instrument and light of the soul, which is worth a thousand bodies, and by which alone the Deity can be discovered. Now in all sciences, as in plain and smooth mirrors, some marks and images of the truth of intelligible objects appear, but in geometry chiefly; which, according to Philo, is the chief and principal of all, and doth bring back and turn the understanding, as it were, purged and gently loosened from sense. And therefore Plato himself dislikes Eudoxus, Archytas, and Menaechmus for endeavoring to bring down the doubling the cube to mechanical operations; for by this means all that was good in geometry would be lost and corrupted, it falling back again to sensible things, and not rising upward and considering immaterial and immortal images, in which God being versed is always God.
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