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And Chares, in the tenth book of his History of Alexander, says—"When he took Darius prisoner, he celebrated a marriage-feast for himself and his companions, having had ninety-two bedchambers prepared in the same place. There was a house built capable of containing a hundred couches; and in it every couch was adorned with wedding paraphernalia to the value of twenty minæ, and was made of silver itself; but his own bed had golden feet. And he also invited to the banquet which he gave, all his own private friends, and those he arranged opposite to himself and the other bridegrooms; and his forces also belonging to the army and navy, and all the ambassadors which were present, and all the other strangers who were staying at his court. And the apartment was furnished in the most costly and magnificent manner, with sumptuous garments and cloths, and beneath them were other cloths of purple, and scarlet, and gold. And, for the sake of solidity, pillars supported the tent, each twenty cubits long, plated all over with gold and silver, and inlaid with precious stones; and all around these were spread costly curtains embroidered with figures of animals, and with gold, having gold and silver curtain-rods. And the circumference of the court was four stadia. And the banquet took place, beginning at the sound of trumpet, at that marriage feast, and on other occasions whenever the king offered a solemn sacrifice, so that all the army knew it. [p. 862] And this marriage feast lasted five days. And a great num- ber both of barbarians and Greeks brought contributions to it; and also some of the Indian tribes did so. And there were present some wonderful conjurors—Scymnus of Tarentum, and Philistides of Syracuse, and Heraclitus of Mitylene; after whom also Alexis of Tarentum, the rhapsodist, exhibited his skill. There came also harp-players, who played without singing,—Cratinus of Methymne, and Aristonymus the Athenian, and Athenodorus the Teian. And Heraclitus the Tarentine played on the harp, accompanying himself with his voice, and so did Aristocrates the Theban. And of fluteplayers accompanied with song, there were present Dionysius of Heraclea, and Hyperbolus of Cyzicus. And of other fluteplayers there were the following, who first of all played the air called The Pythian, and afterwards played with the choruses,—Timotheus, Phrynichus, Caphesias, Diophantus, and also Evius the Chalcidian. And from this time forward, those who were formerly called Dionysio-colaces,1 were called Alexandro-colaces, on account of the extravagant liberality of their presents, with which Alexander was pleased. And there were also tragedians who acted,—Thessalus, and Athenodorus, and Aristocritus; and of comic actors there were Lycon, and Phormion, and Ariston. There was also Phasimelus the harp-player. And the crowns sent by the ambassadors and by other people amounted in value to fifteen thousand talents.
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