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But Alexander, my fellow-citizen, and he has only lately died, having given a public exhibition of his skill on the instrument called the triangle, made all the Romans so music-mad that even now most people recollect the way in which he used to play. And Sophocles speaks of this triangle in his Mysians, saying—
The constant music of the Phrygian
Tender triangle, and the concerted strains
Of the shrill Lydian pectis sounded too.
And in his Thamyras he also mentions it. But Aristophanes, in his Daitaleis, and Theopompus, in his Penelope, likewise speak of it. And Eupolis, in his Baptæ, says—
Who plays the drum with wondrous skill,
And strikes the strings of the triangle.
And the instrument called the pandurus is mentioned, as has been said before, by Euphorion, and by Protagorides, in the second book of his treatise on the Assemblies in honour of Daphne. But Pythagoras, who wrote a book on the Red Sea, says that the Troglodytæ make the panduri out of the daphne which grows on the seashore.

But horns and trumpets are the invention of the Etrurians. But Metrodorus the Chian, in his history of the Affairs of Troy, says that Marsyas invented the pipe and flute at Celænæ, when all his predecessors had played on a single reed. But Euphorion the epic poet, in his treatise on the Modulation of Songs, says that Mercury invented the pipe which consists of one single reed; but that some say that Seuthes and Ronaces the Medes did so; and that Sileuus invented the pipe which is made of many reeds, and that Marsyas invented that one which is joined together with wax.

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