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[394c] as you remarked, tragedy and comedy; and another which employs the recital of the poet himself, best exemplified, I presume, in the dithyramb1; and there is again that which employs both, in epic poetry and in many other places, if you apprehend me.” “I understand now,” he said, “what you then meant.” “Recall then also the preceding statement that we were done with the 'what' of speech and still had to consider the 'how.'” “I remember.”

1 The dithyramb was technically a poem in honor of Bacchus. For its more or less conjectural history cf. Pickard-Cambridge, Dithyramb, Tragedy, and Comedy. Here, however, it is used broadly to designate the type of elaborate Greek lyric which like the odes of Pindar and Bacchylides narrates a myth or legend with little if any dialogue.

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