The outward appearance of Alexander is best represented by the statues of him which Lysippus made, and it was by this artist alone that Alexander himself thought it fit that he should be modelled. For those peculiarities which many of his successors and friends afterwards tried to imitate, namely, the poise of the neck, which was bent slightly to the left, and the melting glance of his eyes, this artist has accurately observed.
Apelles, however, in painting him as wielder of the thunderbolt, did not reproduce his complexion, but made it too dark and swarthy. Whereas he was of a fair colour, as they say, and his fairness passed into ruddiness on his breast particularly, and in his face. Moreover, that a very pleasant odour exhaled from his skin and that there was a fragrance about his mouth and all his flesh, so that his garments were filled with it, this we have read in the Memoirs of Aristoxenus.
Now, the cause of this, perhaps, was the temperament of his body, which was a very warm and fiery one; for fragrance is generated, as Theophrastus thinks, where moist humours are acted upon by heat. Wherefore the dry and parched regions of the world produce the most and best spices; for the sun draws away the moisture which, like material of corruption, abounds in vegetable bodies.
And in Alexander's case, it was the heat of his body, as it would seem, which made him prone to drink, and choleric.
But while he was still a boy his self-restraint showed itself in the fact that, although he was impetuous and violent in other matters, the pleasures of the body had little hold upon him, and he indulged in them with great moderation, while his ambition kept his spirit serious and lofty in advance of his years.
For it was neither every kind of fame nor fame from every source that he courted, as Philip did, who plumed himself like a sophist on the power of his oratory, and took care to have the victories of his chariots at Olympia engraved upon his coins; nay, when those about him inquired whether he would be willing to contend in the foot-race at the Olympic games, since he was swift of foot, ‘Yes,’ said he,
‘if I could have kings as my contestants.’
And in general, too, Alexander appears to have been averse to the whole race of athletes; at any rate, though he instituted very many contests, not only for tragic poets and players on the flute and players on the lyre, but also for rhapsodists, as well as for hunting of every sort and for fighting with staves, he took no interest in offering prizes either for boxing or for the pancratium.