Cf. Od. 24.60 “μοῦσαι δ᾽ ἐννέα πᾶσαι ἀμειβόμεναι ὀπὶ καλῆι”, where, however, the mention of nine muses is one of many proofs of the later origin of “ω”. For ἀμειβόμεναι cf. Virgil's “amant alterna Camenae,” Ec. iii. 59.
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