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 in the make — up of not a few conscientious and able historians. His strain of romance and his power of imagination enabled him to picture to himself and to make vivid the scenes described, and the nature, the purpose, and the manner of thought of each character introduced. The reader is brought into personal association with the force and dignity of the great leader; with the assumption, the vanity, the exaggerated opinion of his powers and ability of Charles Lee; with the sturdy patriotism, the simple-hearted nature, persistence, and pluck of the pioneer fighter Israel Putnam; with the skill, leadership, and unselfishness of Philip Schuyler; with the pettiness and bumptiousness of Gates; with the grace, fascination, and loyalty of Lafayette; and with the varied attainments and brilliant qualities of that wonderful youth Alexander Hamilton. We are not simply reading descriptions, we are looking at living pictures, and the historic narrative has the quality of a vitascope. The production of this great history constituted a fitting culmination to the literary labours of its author. When Irving penned the last word of the fifth volume of the Washington, he was within a few months of his death. The work on this volume had in fact been a strain upon his vitality, and there were times when he needed to exert his will power to the utmost in order to complete the task allotted to himself for the day. He said pathetically from time to time to his nephew and loyal aid Pierre and to his friend Putnam, “I do not know whether I may be spared to complete this history, but I shall do my best.” In this his final work, the shaping of the fifth volume, he did his best. It may fairly be contended for this American author, whose work dates almost from the beginning of the Republic, that his writings possess vitality and continued importance for the readers of this later century. His historical works have, as indicated, a distinctive character. They are trustworthy and dignified history, while they possess the literary charm and grace of the work of a true man of letters. For the world at large, Irving will, however, doubtless best be known by his works of imagination, and the students in the gallery in Oxford who chaffed “Diedrich Knickerbocker” as he was receiving his degree were probably right in selecting as the characteristic and abiding production of the author his Rip Van Winkle.
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