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[261] occasions to the West Indies, to Europe, and to the Levant, and fifty years as a New York editor, who with the wisdom of a statesman and the courage of a reformer made The evening Post America's greatest newspaper,--all this gives us a life of many visions of forest, field, and foam, of many books in diverse tongues, of many men and cities, of many problems in his own career and in the career of that nation which he made so much his own, a life not without its own adventures, struggles, joys, and griefs. So it stands recorded, a consistent and eloquent and (fortunately) a familiar chapter in American biography, even as it passed before the visionary octogenarian back in the old home, sitting “in the early twilight,” whilst

Through the gathering shade
He looked on the fields around him
Where yet a child he played.

A Lifetime.

One might regard the events of this lifetime either as in subtle and inevitable ways harmoniously contributory to the poet-nature that was Bryant's (if not indeed often its persistent and victorious creation), or as in the main a deflection, a check. If no other American poet has written, year measured by year, so little poetry, the poetry of no other so clearly defines at once its author's character, environment, and country; if no other American poet was apparently so much occupied with other interests than poetry, not excepting the critic, diplomat, orator, and humorist Lowell, none felt his high calling, it seems, with as priestly a consecration,--no, truly, not excepting Whitman, who protested thereon sometimes a little too much.

Bryant's public career as poet fulfilled the psalmist's threescore years and ten, if we date from The embargo, an anti-Jefferson satire in juvenile heroics (1808). It began with the year of Scott's Marmion; it was barely completed with Sigurd the Volsung of William Morris; it included the lives of Byron and Shelley and most that was best in those of Tennyson, Arnold, Browning. It began the year following Joel Barlow's American epic The Columbiad, and the publication of The Echo by the Hartford Wits. Longfellow and Whittier were in the cradle, Holmes and Poe unborn. Except Freneau, there were no poets

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