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1 Cf. Theognis 429 ff. Stallbaum compares Eurip.Hippol. 917 f. Similarly Anon. Theaet. Comm.(Berlin, 1905), p. 32, 48. 4καὶ δεῖν αὐτῇ οὐκ ἐνθέσεως μαθημάτων, ἀλλὰ ἀναμνήσεως. Cf. also St. Augustine: “Nolite putare quemquam hominem aliquid discere ab homine. Admonere possumus per strepitum vocis nostrae;” and Emerson's “strictly speaking, it is not instruction but provocation that I can receive from another soul.”
2 περιακτέον is probably a reference to the περίακτοι or triangular prisms on each side of the stage. They revolved on an axis and had different scenes painted on their three faces. Many scholars are of the opinion that they were not known in the classical period, as they are mentioned only by late writers; but others do not consider this conclusive evidence, as a number of classical plays seem to have required something of the sort. Cf. O. Navarre in Daremberg-Saglio s.v. Machine, p. 1469.
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