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DEFINITIONS
SYNTAX OF THE SIMPLE SENTENCE
KINDS OF SIMPLE SENTENCES
EXPANSION OF THE SIMPLE SENTENCE
AGREEMENT: THE CONCORDS
THE SUBJECT
OMISSION OF THE SUBJECT
CASE OF THE SUBJECT: THE NOMINATIVE
THE PREDICATE
CONCORD OF SUBJECT AND PREDICATE
PECULIARITIES IN THE USE OF NUMBER
PECULIARITIES IN THE USE OF GENDER
PECULIARITIES IN THE USE OF PERSON
ADJECTIVES
ADVERBS
THE ARTICLE
—
ORIGIN AND DEVELOPMENT
PRONOUNS
THE CASES
PREPOSITIONS
THE VERB: VOICES
VERBAL NOUNS
THE PARTICIPLE
VERBAL ADJECTIVES IN
-τέος
SUMMARY OF THE FORMS OF SIMPLE SENTENCES
COMPOUND AND COMPLEX SENTENCES: COÖRDINATION AND SUBORDINATION
SYNTAX OF THE COMPOUND SENTENCE
SYNTAX OF THE COMPLEX SENTENCE
CLASSES OF SUBORDINATE CLAUSES
ADVERBIAL COMPLEX SENTENCES
(
2193
-
2487
)
ADJECTIVE CLAUSES
(
RELATIVE CLAUSES:
2488-
2573
)
DEPENDENT SUBSTANTIVE CLAUSES
(
2574
-
2635
)
INTERROGATIVE SENTENCES (QUESTIONS)
INDIRECT (DEPENDENT) QUESTIONS
EXCLAMATORY SENTENCES
NEGATIVE SENTENCES
PARTICLES
SOME GRAMMATICAL AND RHETORICAL FIGURES
This text is part of:
Table of Contents:
Part I: Letters, Sounds, Syllables, Accent
Part II: Inflection
Part IV: Syntax
ADVERBIAL COMPLEX SENTENCES
(
2193
-
2487
)
ADJECTIVE CLAUSES
(
RELATIVE CLAUSES:
2488-
2573
)
[*] 3028. Hyperbaton (ὑπέρβατον transposition) is the separation of words naturally belonging together. Such displacement usually gives prominence to the first of two words thus separated, but sometimes to the second also. In prose hyperbaton is less common than in poetry, but even in prose it is frequent, especially when it secures emphasis on an important idea by placing it at the beginning or end of a sentence. At times hyperbaton may mark passionate excitement. Sometimes it was adopted to gain rhythmical effect. Thus: “Such resting found the sole of unblest feet”: Milton. σὺ δὲ αὐτός, ὦ πρὸς θεῶν, Μένων, τί φῂς ἀρετὴν εἶναι; but what do you yourself, in heaven's name, Meno, say virtue is? P. Men. 71d, ὦ πρός σε γονάτων (946) by thy knees (I entreat) thee E. Med. 324, ““ὑφ᾽ ἑνὸς τοιαῦτα πέπονθεν ἡ Ἑλλὰς ἀνθρώπου” from one man Greece endured such sufferings” D. 18.158, κρατῶν τοὺς ὁποιουσδήποθ᾽ ὑ_μεῖς ἐξεπέμπετε στρατηγούς conquering the generals you kept sending out—such as they were 18. 146. a. The displacement is often caused by the intrusion of a clause of contrast or explanation. Thus ““τοὺς περὶ Ἀρχία_ν . . . οὐ ψῆφον ἀνεμείνατε ἀλλ᾽ . . . ἐτι_μωρήσασθε” you did not postpone your vote but took vengeance upon Archias and his company” X. H. 7.3.7. b. Adverbs and particles may be displaced. Thus, ““οὕτω τις ἔρως δεινός” a passion so terrible” P. Th. 169c, ““πολὺ γὰρ τῶν ἵππων ἔτρεχον θᾶττον” for they ran much faster than the horses” X. A. 1.5.2; so εὖ, μάλα; on ἄν see 1764. c. Prepositions often cause the displacement (1663, 2690). On displacement in connection with participles see 1166, 1167; with the negatives, see 2690 ff. d. Similar or contrasted words are often brought into juxtaposition. Here a nominative precedes an oblique case. Thus, ἀπὸ τῶν ὑ_μετέρων ὑ_μῖν πολεμεῖ συμμάχων he wages war on you from the resources of your allies D. 4.34, οὐ γάρ τίς με βίῃ γε ἑκὼν ἀέκοντα δίηται for no one shall chase me by force, he willing me unwilling H 197. Note ἄλλος ἄλλο (ἄλλοθεν, ἄλλοτε, etc.), αὐτὸς αὑτοῦ. e. Construction ἀπὸ κοινοῦ.—In poetry an attributive genitive or an object, common to two coördinate words, is often placed with the second only, as ““φράζων ἅλωσιν Ἰ_λίου τ᾽ ἀνάστασιν” telling of the capture and overthrow of Ilium” A. Ag. 587.
American Book Company, 1920.
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