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Many people liked this very licence, but they screened it under respectable names. "Our ancestors," they said, "were not averse to the attractions of shows on a scale suited to the wealth of their day, and so they introduced actors from the Etruscans and horse-races from Thurii. When we had possessed ourselves of Achaia and Asia, games were exhibited with greater elaboration, and yet no one at Rome of good family had stooped to the theatrical profession during the 200 years following the triumph of Lucius Mummius, who first displayed this kind of show in the capital. Besides, even economy had been consulted, when a permanent edifice was erected for a theatre, in preference to a structure raised and fitted up yearly at vast expense. Nor would the magistrates, as hitherto, exhaust their substance, or would the populace have the same motive for demanding of them the Greek contests, when once the State undertakes the expenditure. The victories won by orators and poets would furnish a stimulus to genius, and it could not be a burden for any judge to bestow his attention on graceful pursuits or on legitimate recreations. It was to mirth rather than to profligacy that a few nights every five years were devoted, and in these amid such a blaze of illumination no lawless conduct could be concealed." This entertainment, it is true, passed off without any notorious scandal. The enthusiasm too of the populace was not even slightly kindled, for the pantomimic actors, though permitted to return to the stage, were excluded from the sacred contests. No one gained the first prize for eloquence, but it was publicly announced that the emperor was victorious. Greek dresses, in which most people showed themselves during this festival, had then gone out of fashion.